Arts
Covid marshals are killing theatre: The Shrine & Bed Among the Lentils reviewed
Covid marshals have invaded theatreland. Arriving for a weekday matinee at the Bridge, I was greeted by stewards holding up…
The TV we feared they’d never dare make any more: The Singapore Grip reviewed
‘Art is dead,’ declared Mark Steyn recently. He was referring to the new rules — copied from the Baftas —…
Virtuosic but slight – always prog’s problem: The Pineapple Thief's latest reviewed
Grade: B– Of all the various subdivisions in that wheezing and crippled phenomenon that we call rock music, prog has…
The gentle genius of Mervyn Peake
Mervyn Peake’s unsettling illustrations reveal a gentle, kindly man with the soul of a pirate, says Daisy Dunn
The beautiful upside-down world of Georg Baselitz
The hand is one of the first images to appear in art. There are handprints on the walls of caves…
Tacky and incomprehensible: The Sandman audiobook reviewed
Listening to the tacky and incomprehensible audio-adaptation of Neil Gaiman’s graphic novel seriesSandman, I couldn’t stop thinking about the 19th-century…
This is what cinema is for: Netflix’s Cuties reviewed
Cuties is the subject of a moral panic and a hashtag #CancelNetflix. It tells the story of Amy (Fathia Youssouf),…
Arcadian repose
A friend of mine, a bit of a watermelon really like most of the cultural milieu, asked me why I…
Cynical Theories
They are possibly the most politically incorrect authors in the world. And they have universities squarely in their sights. Helen…
An investor should snap up this weepy musical: Sleepless reviewed
It has roughly the same proportions as Shakespeare’s Globe. The Roman Theatre in Verulamium (St Albans) is an atmospheric ruin…
What on earth has happened to Simon Schama: The Romantics and Us reviewed
‘You may think our modern world was born yesterday,’ said Simon Schama at the beginning of The Romantics and Us.…
The Archers is a masterclass in how not to write a monologue
If you’ve been listening to The Archers lately, you’ll know how tedious monologues can be. The BBC has received so…
Why orchestras are sounding better than ever under social-distancing
Our college choirmaster had a trick that he liked to deploy when he sensed that we were phoning it in.…
Horrifyingly beautiful – but I will never watch it again: Painted Bird review
The Painted Bird opens with a young boy (Jewish) running through a forest and clutching his pet ferret. He is…
Books shop
When the Irish comedian Dylan Moran was interviewed on ABC radio last year as a precursor to his (now presumably…
Angus Cerini
No longer confined to the digital space, the Australian Chamber Orchestra is returning to the platform in City Recital Hall…
Battle honours
In the cabinet war rooms in Whitehall in London, there is a chart which registers Atlantic convoys en route from…
Defund theatres – and give the money to gardeners and bingo halls
Why does the state fund theatres and not gardening and bingo, asks Lloyd Evans
Half the fun of the animation – and much longer: Mulan reviewed
Mulan is Disney’s latest live-action remake, coming in at 120 minutes, compared with the 1998 animation, which ran to 80.…
Imagine being married to Stanley Spencer
It sometimes rains in Cookham. It rained all day when I visited the Stanley Spencer Gallery to see the exhibition…
The death of the Southbank Centre
The roots of the Southbank Centre’s current crisis stretch back to before the pandemic, says Oliver Basciano
Couldn't the BBC have filled at least some of the seats? First night of the Proms reviewed
The Royal Albert Hall, as Douglas Adams never wrote, is big. Really big. You just won’t believe how vastly, hugely,…
A sadistic delight: World’s Toughest Race – Eco-Challenge Fiji reviewed
Few things better capture the crazed cognitive dissonance of our age than this: that while we cower behind masks for…
Churchill
When I first arrived in Australia quarter of a century ago one of the many kind invitations I received was…