Arts
Theatres can now reopen – but they will resemble prison camps
Auditoriums can now reopen — but they will resemble prison camps, says Lloyd Evans
The real Rupert Murdoch, by Kelvin MacKenzie
The BBC documentary on Rupert Murdoch is pure one-sided bile, says Kelvin MacKenzie
An extraordinary debut: Make Up reviewed
Make Up is the first full-length film from writer–director Claire Oakley, set in an out-of-season holiday park on the Cornish…
Language notes
One of the most intriguing expressions to come out of the pandemic so far is ‘deep cleaning’. We read that…
Pierre Soulages
A French painting purchased in Melbourne in 1953 has been repatriated selling for $5.26m earlier this month in Paris. For…
Why I love French telly
There’s a scene in the French espionage series The Bureau — about the DGSE, France’s equivalent of the CIA or…
RSC’s Merchant of Venice is full of puzzling ornaments and accents
The BBC announces Merchant of Venice as if it were a Hollywood blockbuster. ‘In the melting pot of Venice, trade…
The problem with livestreaming heavy metal? No moshpits
There was only so long anyone could put up with the live musical performances of the early days of lockdown:…
Louis Theroux’s podcast reveals a master at work
I always want to know more about Louis Theroux, which is odd, since I’ve seen so much of him already.…
Worth catching the virus for: Saint Frances reviewed
Two films about young women this week, one at the cinema, if you dare, and one to stream, if you…
Model villages aren't just for kids
Model villages deliver a cheerful jolt to unexamined notions about our own place – and size – in the world, says Richard Bratby
The artistic response to the pandemic has so far been mind-numbingly banal
Travelling around Latin America three years ago, Stephen Chambers was attracted by pharmacy signs with pictograms advertising treatments to illiterate…
Mystery portrait
Shortly after moving to Manhattan in the noughties I was strolling through the West Village when I came across a…
David Hockney A closer winter tunnel, February-March 2006
The National Gallery of Victoria has closed again ‘until further notice’. The rest of the country is more fortunate, at…
James Graham's small new drama is exquisite: BBC Four's Unprecedented reviewed
Let’s face it. Theatre via the internet is barely theatre. It takes a huge amount of creativity and inventiveness to…
The best podcasts for all your corona-gardening needs
The American diet was probably at its healthiest in the second world war. Fearing interruption to supply chains, Washington launched…
Held me so fast I was outbid on eBay: Clemency reviewed
Clemency stars Alfre Woodard as a prison warden on death row whose job is beginning to take its toll, and…
The guileful, soulful art of Khadija Saye
Gwyneth Paltrow has a new neighbour. On the same block in Notting Hill as Gwynie’s Goop store, with its This…
Beethoven 32 piano sonatas were his musical laboratory – here are the best recordings
If you want to understand Beethoven, listen to his piano sonatas. Without them, you’ll never grasp how the same man…
Drive-in cinemas are back – but for how long?
Tanya Gold on the rise and fall of drive-in cinema
Michaela Coel's dazzling finale reminds me of Philip Roth: I May Destroy You reviewed
It might seem a bit of a stretch to see deep similarities between Michaela Coel (young, female, black and currently…
Relief
Recently I touched on the subject of evaluating works of art prompted by what seemed to me rather an empty…
Jessie Traill: A biography
She could have been one of our great-aunts. She was from that remarkable generation of educated, unmarried women who chose…
Portrait of the Royal Liverpool Philharmonic – Britain's oldest and ballsiest orchestra
Richard Bratby on Britain’s oldest and ballsiest orchestra, the Royal Liverpool Philharmonic, which has taken on everyone from gang leaders to Derek Hatton
Ranges from the slight to the first-rate: Neil Young’s Homegrown reviewed
Grade: B+ Neil Young has been mining his own past very profitably for a long time now, disinterring a seemingly…
