Arts
Geoffrey Blainey
He coined the phrase ‘tyranny of distance’ which not only entered the language but encapsulated the view that many Australians…
The musical benefits of not playing live
Many performers hated playing live. But freed from the stage they often made their best and wildest work, argues Graeme Thomson
Reflections on isolation: the first lockdown dramas reviewed
High Tide got there first. The East Anglian theatre company has produced a series of lockdown mini-dramas, Love in the…
The Amazon Prime doc that will convert anyone to cricket
Imagine rooting for the Australian cricket team. If you’re Scottish, Welsh or Irish — or Australian obviously — it might…
The bleak brilliance of Hud
Hud is a film that has haunted me for decades. I was never sure why. It seemed to be something…
The genius of Joe Rogan
Last month, just before coronavirus conquered the airwaves entirely, millions of Americans gave up two hours to hear a professor…
The marvel of Mozart’s letters
It’s 1771, you’re in Milan, and your 14-year-old genius son has just premièred his new opera. How do you reward…
Anne Glenconner
It is said that Shakespeare wrote King Lear in quarantine from the plague. Some have been suggesting that this year’s…
Absorbing and meticulously researched play about Partition: Drawing the Line reviewed
Theatres have taken to the internet like never before. Recorded performances are being made available over the web, many for…
Haunting and beautiful: Revolutionary Army of the Infant Jesus’s Songs of Yearning reviewed
Grade: A It has taken 33 years — during which time this decidedly strange Liverpool collective have put out only…
The best recordings of my favourite Passion
In the autumn of 1632, a man called Kaspar Schisler returned home to the small Bavarian town of Oberammergau. He…
The perfect film for family viewing: Belleville Rendez-Vous revisited
The selection of a film for family viewing is a precise and delicate art, particularly with us all now confined…
Why do Radio 3 presenters adopt the tone stupid adults use when addressing children?
Anyone who has listened regularly to Radio 3 over the decades — not to mention the Third Programme, which Radio…
An extraordinary tale: BBC2’s The Countess and the Russian Billionaire reviewed
There can’t be many programmes that bring to mind quotations from both Henry Kissinger and Boney M., but BBC2’s The…
Watching dance online is an advantage, not a concession: BalletBoyz – Deluxe reviewed
Another day in isolation, another bid to find joy in my lone state-sanctioned walk. (Pro tip: stay out longer than…
Welder, banjo player, comedian, actor, and now artist – Billy Connolly interviewed
William Cook talks to Billy Connolly – welder, banjo player, comedian, actor, and now artist – about growing up in Glasgow, ditching the mike stand and living with Parkinson’s
Lloyd Rees Solitude 1978
‘How much of our village do we burn to contain this?’. That was the chilling headline of an article in…
The joy of Haydn's string quartets – here are the best recordings
As Joseph Haydn was getting out of bed on the morning of 10 May 1809, a cannonball landed in his…
Taylor Swift is fascinating – but you really wouldn't want to be her
There had been some question about whether Taylor Swift’s Netflix special would actually appear. Last year it seemed that the…
A Formula 1 doc for people who hate Formula 1
Some years ago I was invited to the British Grand Prix at Silverstone courtesy of a watch manufacturer. As freebies…
Perfectly serviceable – at points even charming: Four Kids and It reviewed
This film contains flying children, time travel and a sand monster that lives under a beach — yet the most…
Are there ways in which virtual exhibitions are better than real ones?
Six months ago I published a book about travelling to look at works of art. One such journey involved a…