Pop
Terrifically good value: Nick Cave & the Bad Seeds reviewed
A few years ago, I received an early morning phone call from Nick Cave’s former PR, berating me for not…
Nick Cave’s right-hand man Warren Ellis on AI, Gorecki and staying young
In the next few days Nick Cave and the Bad Seeds play Leeds, Glasgow, Manchester and London. There are still…
The joy of Chris Stapleton
Chris Stapleton is a barrel-chested man of 46, who hides his face beneath a beard that must have taken years…
Chrissie Hynde remains outstanding: the Pretenders, at Usher Hall, reviewed
A few hours before the doors opened for the Pretenders’ Edinburgh concert, Chrissie Hynde posted a message on her social…
An uncompromising master: David Gilmour, at the Royal Albert Hall, reviewed
It doesn’t matter which dictionary you consult, they all agree on what a song is: words, set to music, that…
I agree with pop’s war on iPhones – but King Canute might want a word
Before each show on the recent The The tour – reviewed in these pages last week – the pre-recorded voice…
The world is on fire – yet navel-gazing still reigns in pop
There is no better cultural weather vane than pop. It’s not that pop singers possess incredible analytical skills – they…
The ethics of posthumous pop albums
‘At the record company meeting/ On their hands – at last! – a dead star!’ Back when Morrissey was more…
My night with the worst kind of nostalgia
American Football are a band whose legend was formed by the internet: some Illinois college kids who made an album…
Elvis Costello remains the most fascinating songwriter Britain has produced in the past 50 years
Song for song, line by line, blow for blow, Elvis Costello remains the most consistently fascinating songwriter Britain has produced…
Delightful: Phoenix, at All Points East, reviewed
A few years ago, my nephew informed me that he and his friend were planning to come up to London…
The Ava Gardner of the ketamine age: Lana Del Rey, at Leeds Festival, reviewed
As the American superstar starts singing another slow, sad, rather beautiful song, my mind begins to drift. I’m thinking that…
Triumphant: Big Thief, at Green Man, reviewed
One of the first things I learned after seeing Big Thief triumph at Green Man is that some long-time fans…
Fun, frenetic and only a little gauche: Declan McKenna, at the Edinburgh Playhouse, reviewed
Towards the end of Declan McKenna’s snappy, enjoyable 90-minute set at the Edinburgh International Festival, something quite powerful occurs. The…
Fantastic – and genuinely indie: Personal Trainer, at the Shacklewell Arms, reviewed
Remember when we all knew what indie meant? Indie was what John Peel played. It was music that was recorded,…
Jack White’s new album will be of close interest to Led Zeppelin’s legal team
The ploy of releasing an album without any advance warning comes into play when an artist feels they are being…
Charismatic, powerful and raw: Patti Smith, at Somerset House, reviewed
There are certain long-established rules for describing Patti Smith. Google her name and the words ‘shaman’ and ‘priestess’ and you’ll…
Hard to love – but Shirley Manson is terrific: Garbage, at Usher Hall, reviewed
There’s nothing quite like the drama of a prodigal’s return. ‘I’ve been singing in this venue since I was ten…
Camila Cabello’s new album presents an existential threat to songwriting
It is always interesting to observe the ways in which pop stars try to negotiate first growing up, and then…
Complain all you like but Glastonbury has delivered the goods again
There’s yet to be a Glastonbury line-up that hasn’t provoked a chorus of naysaying. Refrains like ‘looks rubbish. I wouldn’t…
Teenage Swifties restored my faith in strangers
Taylor Swift is the last of the monocultural pop icons. Put it this way: I bet you’ve heard of her.…
Does it matter how posh pop stars are?
‘A working class hero is something to be.’ Rishi Sunak and Keir Starmer must have missed the conflicted, sardonic edge…
‘Psychedelic folk that twists and leaps’: Beth Gibbons, at the Barbican, reviewed
A decade ago, a group of people who owned small music venues came to the conclusion that the kinds of…
