Radio
From Brexit to Beethoven: John Humphrys returns to radio
Some listeners will have had quite a shock first thing on Monday. Turning on at six to Classic FM they…
Can giving voice to the horrors of the past re-traumatise?
It is 50 years since Ronald Blythe published Akenfield, his melancholy portrait of a Suffolk village on the cusp of…
Without Joe Grundy The Archers feels lost
There was something really creepy about listening to the ten-minute countryside podcast released last weekend by Radio 4 supposedly transporting…
Did Radio 2 really need to give us four days of the Beatles to celebrate Abbey Road?
This Changeling Self, Radio 4’s lead drama this week, clearly ought to have gone out in August. It’s set —…
Radio 4’s The Art of Innovation is a series that — for once — deserves the label ‘landmark’
Radio 4, how do I love thee? Rather as one loves the flocked wallpaper that came with the house. It…
What’s the point of the Today programme?
What else is there to write about in the week that John Humphrys, that titan of the BBC airwaves, retires…
General de Gaulle’s advice to the young Queen Elizabeth
There were so many ear-catching moments in Peter Hennessy’s series for Radio 4, Winds of Change, adapted from his new…
Why 80 per cent of young people in this Macedonian town have turned to posting ‘fake news’
It’s such a relief to turn on the radio and hear the voice of Neil MacGregor. That reasoned authority, his…
The joys of Radio 4’s Word of Mouth
I first heard Lemn Sissay talking about his childhood experiences on Radio 4 in 2009. At that time he was…
Will you last beyond the madeleine? Radio 4’s In Search of Lost Time reviewed
The madeleine upon which Proust’s seven-volume epic In Search of Lost Time pivots makes its significant appearance after just 18…
Two sides to every story
Maybe the equality inspectors at the corporation didn’t get the chance to vet Richard Littlejohn’s series for Radio 2, The…
The woman who wrote Afghanistan’s electoral laws lives on a houseboat in Bristol
By the age of eight Vaira Vike-Freiberga had learnt that life was both ‘very strange and very unfair’. Her baby…
How does Elizabeth Day get so much out of her interviewees? Flattery
Every so often an idea for a show will come along that is perfect, and therefore should never be made.…
How to talk to astronauts
Television has the pictures but the most spine-tingling moments in the recordings from the Apollo space missions are the bursts…
An important story but not for the faint-hearted: Deadliest Day podcast reviewed
One of the advantages that podcasts have over the scheduled array of programmes is the space that can be given…
Jonathan Dimbleby is right: we need to rise up and defend the BBC
There’s been a Dimbleby on air since before I was born but last Friday saw the end of that era…
What drives Emily Maitlis?
It can’t be easy to find yourself on the other end of the microphone when you’re a journalist of the…
What Mary Wollstonecraft writes about motherhood is still so relevant
Walking into Fingal’s Cave, after scrambling across the rocks to reach it from the landing stage where the boat from…
Are the Dead Ringers audience told to laugh?
Nine on a Thursday morning is University Hour for those of us who don’t commute to an office every day.…
The extraordinary life of 104-year-old dancer Eileen Kramer
It’s not often you hear the voice of a 104-year-old on the radio. You’re even less likely to hear one…
What would you do if you were a Syrian migrant?
‘Put yourself in their shoes,’ says Zahra Mackaoui, a British-Lebanese journalist who has been following the stories of refugees from…
Forget the The Reith Lectures. To understand the world listen to George the Poet
At last a podcast that takes the medium to its limit, created by someone who loves listening, understands how it…
The mosque where it’s the men who make the tea
On returning from a brief trip to Istanbul, where inside the mosques women are still very much kept to one…
Female contestants in Afghanistan’s X Factor are dicing with death
The cheering fans, the dramatic Hollywood-style drum rolls, the excitable host all sound just like The X Factor or The…
Why do we still use the Qwerty keyboard layout and not Dvorak?
‘Can you fly down this evening?’ she was asked by her boss in the Delhi office of the BBC. ‘Yes,…
