Television
BBC1’s new Rebus is the kind of TV detective they just don’t make any more
Imagine a new series of Morse in which the real-ale-quaffing, jag-driving opera buff is turned into a speed-snorting mod on…
Nowhere near as miserable as I remember it: The Beatles – Let It Be reviewed
Beatles lore has long held that the film Let It Be was a depressing portrait of the band falling apart.…
Why did C.J. Sansom approve this moronic Disney+ Shardlake adaptation?
What would C.J. Sansom have made of the Disney+ version of his novel series about 16th-century crookback lawyer Matthew Shardlake?…
Sordid, ugly and threadbare: Jimmy Carr – Natural Born Killer reviewed
Here’s an offensive joke: ‘Jimmy Carr gets paid to do a Netflix special.’ All right, it’s not original – I…
Danny Dyer’s new C4 programme is deeply odd
Who do you think said the following on TV this week: ‘I love being around gay men – seeing a…
Grey, gloomy, and utterly joyless: Ripley reviewed
If you’ve spent any time gawping at Netflix over the past half-decade or so, you’ll already know that human culture…
Compelling and somewhat heartbreaking: Girls State, on Apple TV+, reviewed
Here’s a fun thought experiment: instead of entrusting the future of American democracy to one of two old men, what…
Dramatic, urgent and intriguing: BBC1’s This Town reviewed
After conquering the world with Peaky Blinders (and before that by co-creating Who Wants to Be a Millionaire?), Steven Knight…
