The Listener
Dazzling: Marc-André Hamelin’s Hammerklavier
Grade: A When Beethoven’s Hammerklavier Sonata was published in 1818, pianists were confronted with a mixture of ‘demonic energy and…
Goodbye to MC5, the holiest of rock’s holy cows
Grade: D+ Ah, the original Linkin Park, except even more spavined. MC5 came outta Detroit in the mid 1960s and…
Less Riot Grrl than Riot Lladies Who Lunch: Sleater-Kinney’s Little Rope reviewed
Grade: B- Given that Carrie and Corin are now in their fifties and one of them has settled down with…
A box set for those on the spectrum: Markus Poschner’s Bruckner Symphonies reviewed
Grade: B+ Anton Bruckner wrote 11 symphonies – Numbers One to Nine plus a student exercise and the formidable rejected…
Ten times better than Taylor Swift: Romance, by Fontaines D.C., reviewed
Grade: B+ Almost all modern popular music is afflicted by a desperate yearning for importance, and thus – as it…
The Stockhausen work that is worth braving
Grade: A- One of the best one-liners attributed to Sir Thomas Beecham refers to the stridently avant-garde Karlheinz Stockhausen: ‘I’ve…
Too bombastic to be country music: Post Malone’s F-1 Trillion reviewed
Grade: B Country music has become the acceptable route through which American pop stars resuscitate their floundering careers: sales are…
‘Left me stunningly bored’: Brat, by Charli XCX, reviewed
Grade: C I don’t doubt the ingenuity. The mastery of a technology which now exists as a substitute for melody,…
