Theatre
Smart, funny and beautifully imagined: RSC’s The Boy in the Dress reviewed
David Walliams is one of the biggest-selling children’s authors in the world (having shifted some 25 million copies in more…
An astonishing treat: Dear Evan Hansen at the Noël Coward Theatre reviewed
Dear Evan Hansen, by Steven Levenson, opens as a standard American teen-angst musical. Evan is a sweaty geek with a…
Riveting and beautifully staged analysis of totalitarianism: Arcola’s #WeAreArrested reviewed
When the RSC does modern drama it usually lays on an ultra-worthy yarn with a huge cast, dozens of fancy…
The script’s a dud: Antipodes at the Dorfman Theatre reviewed
The Antipodes, by the acclaimed dramatist Annie Baker, is set in a Hollywood writers’ room. Seven hired scribblers are brainstorming…
Why the Royal Court is theatre’s answer to Islamic State
The Royal Court is the theatre’s answer to Islamic State, a conspiracy of nihilists fascinated with death, supported by groups…
A surefire international hit: Lungs reviewed
No power on earth can stop Lungs from becoming an international hit. Duncan Macmillan’s slick two-handed comedy reunites Matt Smith…
A 90-minute slog up to a dazzling peak: ‘Master Harold’… and the boys reviewed
Athol Fugard likes to dump his characters in settings with no dramatic thrust or tension. A prison yard is a…
A hoot from start to finish: The Man in the White Suit reviewed
The Man in the White Suit, famously, is a yarn about yarn. A brilliant young boffin stumbles across an everlasting…
Circus routine rather than theatre: Noises Off reviewed
Michael Frayn’s backstage comedy, Noises Off, is the theatre’s answer to Trooping the Colour. Everyone agrees that it’s an amazing…
Flimsy and pretentious sketches: Caryl Churchill’s Glass. Kill. Bluebeard. Imp. reviewed
Caryl Churchill is back at the Royal Court with a weird collection of sketches. The first is set on a…
One for pauper-gawpers: Faith, Hope and Charity at the National reviewed
Tony Hawks’s musical, Midlife Cowboy, has transferred from Edinburgh to the Pleasance, Islington. At press night, the comedy elite showed…
How refreshing to see a show about prejudice that barely mentions white people
Lynette Linton opens her stewardship of the Bush with a drama about racial and sexual bigotry. Four British women decide…
Is it time to give up on the Ibsen adaptations?
Pub quiz question: what do John Osborne, Brian Friel and Patrick Marber have in common? The answer is they’ve all…
Funny, short and cheap to stage, Hansard is an excellent bet for a transfer
Hansard is the debut play by actor Simon Woods, who enjoys a deep knowledge of his subject. The characters are…
A decorative pageant that would appeal to civic grandees: The Secret River reviewed
The Secret River opens in a fertile corner of New South Wales in the early 1800s. William, a cockney pauper…
Watching Stephen Fry was like being in the presence of a god
Stephen Fry lies prone on an empty stage. A red ball rolls in from the wings and bashes him in…
Tony Slattery is still a miraculously gifted comedian
Some of the marketing efforts by amateur impresarios up in Edinburgh are extraordinary. I was handed a leaflet for a…
Lap-dancing with ISIS, the real Monica Lewinsky and one of the strangest things I’ve ever seen: Edinburgh Fringe roundup
Clive Anderson’s show about Macbeth, ‘the greatest drama ever written’, offers us an hour of polished comedy loosely themed around…
These obscure Tennessee Williams scripts are classics of the future: Southern Belles reviewed
Games for Lovers feels like a smart, sexy TV comedy. Martha is still in love with her old flame Logan…
The play’s dated badly – but the horse is exquisite: Equus at Trafalgar Studios reviewed
Equus is a psychological thriller from 1973 which opens with a revolting discovery. An unbalanced stable-lad, Alan, spends his evenings…
The greatest actor in the world couldn’t salvage David Hare’s batty adaptation: Peer Gynt reviewed
The National Theatre’s boss, Rufus Norris, has confessed that he ‘took his eye off the ball’ when it came to…
A cartoonish look at migration: Europe at the Donmar reviewed
Europe. Big word. Big theme. It was used by David Greig as the title of his 1994 play about frontiers…
A crowd-pleasing pantomime: Present Laughter at the Old Vic reviewed
Present Laughter introduces us to a chic, louche and highly successful theatrical globetrotter, Garry Essendine, whose riotous social life is…
A captivating freak-show: Bitter Wheat reviewed
Bitter Wheat, David Mamet’s latest play, features a loathsome Hollywood hotshot, Barney Fein, who offers to turn an actress into…
Oodles of fun – but unfair on climate sceptics: Kill Climate Deniers reviewed
Kill Climate Deniers is a provocative satire by Australian theatre-activist David Finnigan. The title sounds misanthropic and faintly deranged but…
