Theatre
Hard to get to grips with: Marie Curie: The Musical reviewed
Marie Curie: The Musical is a history lesson combined with a chemistry seminar and it’s aimed at indignant feminists who…
Eddie Izzard’s one-man Hamlet deserves top marks
Every Hamlet is a failure. It always feels that way because playgoers tend to compare what they’re seeing with a…
Amazingly sloppy: Romeo & Juliet, at Duke of York’s Theatre, reviewed
Romeo & Juliet is Shakespeare with power cuts. The lighting in Jamie Lloyd’s cheerless production keeps shutting down, perhaps deliberately.…
Headed for the canon: Withnail and I, at the Birmingham Rep, reviewed
After nearly 40 years, Withnail has arrived on stage. Sean Foley directs Bruce Robinson’s adaptation, which starts with a live…
Fawlty Towers – The Play is the best museum piece you’ll ever see
Fawlty Towers at the Apollo may be the best museum piece you’ll ever see. A full-length play has been carved…
Minority Report is superficial pap – why on earth stage it?
Minority Report is a plodding bit of sci-fi based on a Steven Spielberg movie made more than two decades ago.…
An exquisitely funny sitcom that should be on the BBC
Agathe by Angela J. Davis follows the early phases of the Rwanda genocide 30 years ago. The subject, Agathe Uwilingiyimana,…
Cheesy remake of Our Mutual Friend: London Tide, at the Lyttelton Theatre, reviewed
Our Mutual Friend has been turned into a musical with a new title, London Tide, which sounds duller and more…
Player Kings proves that Shakespeare can be funny
Play-goers, beware. Director Robert Icke is back in town, and that means a turgid four-hour revival of a heavyweight classic…
Why has the National engaged in this tedious act of defamation of the Brontës?
The Divine Mrs S is a backstage satire set in the year 1800, when flouncy costumes and elaborate English prose…
Exhilarating: MJ the Musical reviewed
If you’ve heard good reports about MJ the Musical, believe them all and multiply everything by a hundred. As a…
Sinister panto about the formation of the NHS: Nye, at the Olivier Theatre, reviewed
A Judy Garland rendition, dancing nurses, a star lead: no spectacle is spared in Tim Price’s new play Nye, which…
Devastating: Almeida Theatre’s King Lear reviewed
Yaël Farber’s production of King Lear at the Almeida Theatre is imbued with an undercurrent of tension that feels as…
