Theatre
Nice work
Listen http://rss.acast.com/viewfrom22/merkelstragicmistake/media.mp3 You can’t play the part of Hamlet, only parts of Hamlet. And the bits Benedict Cumberbatch offers us…
The Magic Flute has never made more cartoonish sense - an Edinburgh Festival roundup
London may cry foul over Hamlet’s misplaced to-be-ing and not-to-be-ing but Edinburgh is in raptures over a Magic Flute which…
Our Country’s Good prizes the concerns of the actors over the audience
Australia, 1788. A transport ship arrives in Port Jackson (later Sydney harbour) carrying hundreds of convicts and a detachment of…
Art by committee
Australia, 1788. A transport ship arrives in Port Jackson (later Sydney harbour) carrying hundreds of convicts and a detachment of…
Art by committee
Australia, 1788. A transport ship arrives in Port Jackson (later Sydney harbour) carrying hundreds of convicts and a detachment of…
Edinburgh Fringe highlights: world-class improv, Bible study and an hour with a gentle genius
Showstopper! The Improvised Musical offers a brand new song-and-dance spectacular at every performance. It opens with a brilliantly chaotic piece…
Bob Monkhouse, John Lennon and prostitution: Lloyd Evans’s Edinburgh Fringe picks
In the clammy shadows of Cowgate I was leafleted by a chubby beauty wearing all-leather fetish gear. ‘Hi! Want to…
The stars of this year’s Edinburgh Fringe: Boris Johnson and Nigel Farage
Propaganda is said to work best when based upon a grain of truth. Ukip! The Musical assumes that most electors…
Feels like Chekhov scripted by a Chekhov app: Three Days in the Country at the Lyttleton reviewed
Chekhov so dominates 19th-century Russian drama that Turgenev doesn’t get much of a look-in. His best known play, A Month…
Turn this play into a film and it’ll win Oscars – Hollywood can’t resist a posh Brit battling disability
God, what a title. The Gathered Leaves. It sounds like a tremulous weepie about grief and endurance with a closing…
BNP supporters will enjoy this new play from the Bush Theatre
Richard Bean, the country’s most bankable playwright, knocks out a new script every four months. Thanks to the success of…
Trevor Nunn’s Volpone reviewed: Henry Goodman bewitches the audience by doing nothing wittily
Easy playwright to get on with, Ben Jonson. His world is simple, his tastes endearing. He likes golden-hearted swindlers and…
A handy liberal guide on how to save mankind, courtesy of Soho Theatre
Refugee crisis in the Mediterranean! Fear not. Anders Lustgarten and his trusty rescue ship are here to save mankind. Lampedusa…
The Seagull needs a roof to stop Chekhov's subtleties flying off
A new Seagull lands in Regent’s Park. Director Matthew Dunster has lured Chekhov’s classic into a leafy corner of north…
We’ve forgotten just how attractive Jimmy Savile once was
Ho hum. Bit icky. Not bad. Hardly dazzling. The lukewarm response to An Audience With Jimmy Savile has astonished me.…
Patrick Marber’s Red Lion at the Dorfman reviewed: ‘the woman next to me yawned a lot’
For nine years Patrick Marber has grappled with writer’s block (which by some miracle doesn’t affect his screenplay work), but…
There's a reason why the past four centuries have ignored Shakespeare's King John
King John arrives at the Globe bent double under the weight of garlands from the London critics. Their jaunt up…
The Anglican elite laid bare: Temple at the Donmar Warehouse reviewed
In October 2011 anti-capitalist vagrants built an open-air squat outside St Paul’s within shrieking distance of London’s financial heart. The…
Amazing. Thatcherite propaganda at the Young Vic
St James Theatre hosts a new play about Alexander McQueen (real name Lee), whose star flashed briefly across the fashion…
Fine production of a painful play: Death of a Salesman at the Noel Coward reviewed
Here come the Yanks. As the summer jumbos disgorge their cargoes of wealthy, courteous, culture-hungry Americans, the West End prepares…
Merchant of Venice at the Globe reviewed: a tip-top production - and a high quality script too
If Julian, Dick, George and Anne had become terrorists they’d have called themselves The Angry Brigade. It’s such a Wendy…
American Buffalo at Wyndham’s reviewed: ‘magnificent, multicoloured, vast and tragic’
David Mamet is Pinter without the Pinteresque indulgences, the absurdities and obscurities, the pauses, the Number 38 bus routes. American…
Why Caryl Churchill is massively overrated - and how the National Theatre befriends terror
Enter Rufus Norris. The new National Theatre boss is perfectly on-message with this debut effort by Caryl Churchill. Her 1976…
Measure for Measure at the Barbican reviewed: a charity show for homesick non-doms
The smash hit Matilda, based on a Roald Dahl story, has spawned a copycat effort, The Twits. Charm, sweetness and…
Even those who reviled Thatcher will be moved, appalled and astonished: Dead Sheep at the Park reviewed
Dead Sheep is a curious dramatic half-breed that examines Geoffrey Howe’s troubled relationship with Margaret Thatcher. Structurally it’s a Mexican…
