Acosta Danza
Deeply impressive and beautiful: Akram Khan’s Gigenis reviewed
After taking a wrong turn culminating in the misbegotten Frankenstein, Akram Khan has wisely returned to his original inspiration in…
Swings between violence and comedy: Pina Bausch's Kontakthof, at Sadler's Wells, reviewed
When you take in the richness of a Pina Bausch production — the redolent staging, the eloquent, eccentric twists of…
Pretty vacant
Alice is at it again. Christopher Wheeldon’s 2011 three-act ballet began another sell-out run at Covent Garden last week. It’s…
