albums
Dazzling: Marc-André Hamelin’s Hammerklavier
Grade: A When Beethoven’s Hammerklavier Sonata was published in 1818, pianists were confronted with a mixture of ‘demonic energy and…
Terrifically good value: Nick Cave & the Bad Seeds reviewed
A few years ago, I received an early morning phone call from Nick Cave’s former PR, berating me for not…
A box set for those on the spectrum: Markus Poschner’s Bruckner Symphonies reviewed
Grade: B+ Anton Bruckner wrote 11 symphonies – Numbers One to Nine plus a student exercise and the formidable rejected…
How some of the most derided bands of all time are making a comeback
The fate of the pop musician – at least the pop musician below the top tier of stardom – has…
The ethics of posthumous pop albums
‘At the record company meeting/ On their hands – at last! – a dead star!’ Back when Morrissey was more…
Too bombastic to be country music: Post Malone’s F-1 Trillion reviewed
Grade: B Country music has become the acceptable route through which American pop stars resuscitate their floundering careers: sales are…
Jack White’s new album will be of close interest to Led Zeppelin’s legal team
The ploy of releasing an album without any advance warning comes into play when an artist feels they are being…
Camila Cabello’s new album presents an existential threat to songwriting
It is always interesting to observe the ways in which pop stars try to negotiate first growing up, and then…
The weird, hypnotic world of Willie Nelson
Many years ago, I wrote a book about Willie Nelson. At its conclusion, I reached for an elegiac, valedictory tone.…
Taylor Swift’s new album is exhausting
How to explain the supercharged star power of Taylor Swift? An undeniably gifted artist, Swift’s albums 1989, Folklore and Evermore,…
Can everyone please shut up about Maria Callas?
Rupert Christiansen on the cult of Callas
The case against re-recording albums
In 2012, Jeff Lynne released Mr Blue Sky: The Very Best of Electric Light Orchestra. Except it wasn’t. It was…