Anish Kapoor

The twisted logic of Shamima Begum's defenders

16 March 2021 4:29 am

Shamima Begum is back in the news. Firstly because she’s had a makeover. She can be seen on the front…

Black mirror: ‘20:50’, 1987, by Richard Wilson at the Hayward Gallery

There’s almost nothing in this Hayward show – and that’s the point

29 September 2018 9:00 am

A reflection on still water was perhaps the first picture that Homo sapiens ever encountered. The importance of mirrors in…

I felt the earth move just as before: Akram Khan’s Kaash reviewed

19 March 2016 9:00 am

You revisit an old love with wariness. Time’s passed for both of you — sharp edges have been smoothed, and…

Ai Weiwei: the perfect Asian artist for lazy western curators

22 August 2015 9:00 am

In September, the Royal Academy of Arts will present a solo exhibition of works by the Chinese artist Ai Weiwei.…

Crazy horses: Andy Scott’s Kelpies at sunset

The Spectator declares war on bad public art

28 February 2015 9:00 am

Stephen Bayley announces the launch of What’s That Thing?, The Spectator’s award for bad public art

Acting as turret gateway: ‘Minster’, 1987, by Tony Cragg

The Lisson show is so hermetic, sometimes we flounder for meaning

23 November 2013 9:00 am

The title of the Lisson Gallery’s new show, Nostalgic for the Future, could sum up the gallery’s whole raison d’être.…