Architecture
The beauty of gasholders
Dan Hitchens on the beauty of gasholders
A play for bureaucrats: David Hare's Straight Line Crazy reviewed
It’s good of Nicholas Hytner to let Londoners see David Hare’s new play before it travels to Broadway where it…
Sex and politics in the precincts of St Paul’s Cathedral
In the tight dark maze of alleys that wind between the Thames and St Paul’s the pleasures of the living…
The psychopath who wrecked New York
Robert Gore-Langton on the man who wrecked New York
The genius of Iannis Xenakis
This year is the centenary of the birth of Iannis Xenakis, the Greek composer-architect who called himself an ancient Greek…
In praise of the Dome
We should learn to love our turn-of-the-millennium architecture, says Helen Barrett, starting with the Dome
Abstract and concrete: the beauty of brutalism
Nothing divides the British like modernist architecture. Traditionalists are suspicious of its utopian ambitions and dismiss it as ugly; proponents…
The Georgians feel closer to us now than the Victorians
‘The two most fascinating subjects in the universe are sex and the 18th century,’ declared the novelist Brigid Brophy when…
A keepsake – and to-do list – of Europe’s greatest cathedrals
In his new book on Europe’s cathedrals, Simon Jenkins begins with the claim that the greatest among them are our…
It’s a wonder any of our great country houses survived the 20th century
One of Adrian Tinniswood’s recent books, The Long Weekend, is a portrait of country house life in the interwar years.…
The Sunday Feature is one of the most consistently interesting things on Radio 3
The story is likely apocryphal — and so disgraceful I almost hesitate to tell it — but it goes like…
Absurd and amusing, solemn and scholarly: Charles Jencks's Cosmic House reviewed
An editor once told me: always look at the loos. It was remarkable, she said, how many grand cultural projets,…
Why I will miss our mighty cooling towers – and I suspect I am not alone
There are many examples of beautiful old buildings being knocked down in favour of undistinguished new ones. But not everything can be preserved in aspic, says Martin Gayford
The National Trust has lost the language of architecture
Press officers, breathe easy. This is not another column attacking the National Trust. Actually, I tell a lie. It is.…
Hugely pleasurable – a vision of summer: Jennifer Packer at the Serpentine Gallery reviewed
We need to talk about Eric. In Jennifer Packer’s portrait of her friend and fellow artist, Eric N. Mack sits…
The disgraceful decision to remove Liverpool’s heritage status
Unesco has cancelled the ‘World Heritage Status’ of the Necropolis at Memphis and the Giza Pyramid because a Radisson Blu…
Letters: We can’t build our way out of the housing crisis
Excess demand Sir: Liam Halligan (‘The house mafia’, 26 June) treats us to an exposé of the shoddy products of…
Why is modern architecture so ugly?
Why is modern architecture so ugly?
Bricks and pieces: the blight of London’s fake facades
The problem with London’s fake facades
The magnificent fiasco of Mies van der Rohe’s Farnsworth House
John Ruskin believed the most beautiful things are also the most useless, citing lilies and peacocks. Had he known about…
From temple to labyrinth — the art museum today
At a certain point, the critic Robert Hughes once noted, at the heart of American cities churches began to be…
Skyscraper squats and a lesson from India: the future of British architecture
Squatting, gutting and retrofitting – and a lesson from India: Stuart Jeffries looks at the future of British architecture
A passion for pastiche: China’s Potemkin villages
Closely inspect No. 23 Leinster Terrace, Bayswater and you might notice the house has no letter box. Push at the…
The death of the Southbank Centre
The roots of the Southbank Centre’s current crisis stretch back to before the pandemic, says Oliver Basciano
Clean lines and dirty habits: the Modernists of 1930s Hampstead
With its distinctive hilly site and unusually coherent architecture (significantly, most of it domestic rather than civic), Hampstead has always…
