Arcola Theatre
The rise of soapy, dead-safe drama: The Band Back Together reviewed
The Band Back Together is a newish play, written and directed by Barney Norris, which succeeds wildly on its own…
The cast mistake screaming for comedy: Cockfosters, at Turbine Theatre, reviewed
The Turbine Theatre is a newish venue beneath the railway arches of Grosvenor Bridge in Battersea. The comfy auditorium is…
Reinforces the caricatures it sets out to diminish: Slave Play, at the Noël Coward Theatre, reviewed
Slave Play is a series of hoaxes. The producers announced that ‘Black Out’ performances would be reserved for ‘black-identifying’ playgoers…
Riveting and exhilarating: Miss Julie, at Park90, reviewed
Some Demon by Laura Waldren is a gem of a play that examines the techniques of manipulation and bullying practised…
Watch three irascible women screaming at each other: Anthropology, at Hampstead Theatre, reviewed
Anthropology is a drama about artificial intelligence that starts as an ultra-gloomy soap opera. A suicidal lesbian, Merril, speaks on…
Kwame Kwei-Armah’s embarrassing update of Love Thy Neighbour: Beneatha’s Place, at the Young Vic, reviewed
Beneatha’s Place, set in the 1950s, follows a black couple who encounter racial prejudice when they move to a predominately…
Sad, blinkered and incoherent: Arcola’s The Misandrist reviewed
A new play, The Misandrist, looks at modern dating habits. Rachel is a smart, self-confident woman whose partner is a…
A terrific night of opera: Zanetto/Orfeo ed Euridice, Arcola Theatre, reviewed
For a one-hit composer, we hear rather a lot of Pietro Mascagni. His reputation rests on his 1890 debut Cavalleria…
A brilliant, tense, ragged slice of drama: Waiting for Lefty reviewed
A Russian Doll is a monologue about Putin’s campaign to swing the Brexit vote in his favour. It stars Rachel…
A flimsy tale of self-pity and thwarted ambition: Hunger at the Arcola reviewed
Oh my God. The Nazis have invaded the Arcola Theatre. Norwegian novelist Knut Hamsen won the Nobel Prize in 1920…
Riveting and beautifully staged analysis of totalitarianism: Arcola’s #WeAreArrested reviewed
When the RSC does modern drama it usually lays on an ultra-worthy yarn with a huge cast, dozens of fancy…
Deserves its classic status: Jesus Hopped the ‘A’ Train at the Young Vic reviewed
Jesus Hopped the ‘A’ Train by Stephen Adly Guirgis deserves its classic status. This wordy and highly cerebral play pulls…
A beautiful but bizarre show, beset by ‘great ideas’: Summer and Smoke reviewed
Summer and Smoke by Tennessee Williams dates from the late 1940s. He hadn’t quite reached the peaks of sentimental delicacy…
What an extraordinary debut for Emma Rice: Globe's Midsummer Night's Dream reviewed
The Globe’s new chatelaine, Emma Rice, has certainly shaken the old place up. It’s almost unrecognisable. Huge white plastic orbs…
