Arthur Pita
Reducing the lead to an demented rape victim is just what ballet needs: The Wind reviewed
A kindly cowboy, an East Coast bride, adultery, murder and madness. The Wind, Dorothy Scarborough’s 1925 Texas gothic novel (and…
A new dance piece in which race definitely matters: Ballet Black’s Triple Bill reviewed
Ballet’s romantic mantra could be summed up by John Keats’s ballad ‘La Belle Dame sans Merci’, in which a young…
Ballet’s super couple should stick to the classical repertoire
Last week, the feast of long-awaited dance events on offer echoed bygone days when London life was dominated by the…