Ballet

Now that's what I call sex: Birmingham Royal Ballet's Ashton Double Bill reviewed

5 March 2016 9:00 am

That joke about the young bull who tells the old bull, ‘Hey, Dad, see all those cows — let’s run…

Fallen woman: Natalia Osipova as Amélie Gautreau

Wheeldon’s new ballet lacks guts: Royal Ballet’s Strapless reviewed

20 February 2016 9:00 am

How could it possibly go wrong? The magnetic, seething Russian star Natalia Osipova playing the tragic woman in John Singer…

Gorgeous, visionary sights from Akram Khan at the Roundhouse

6 February 2016 9:00 am

How much of a compromise does a fashionable choreographer loved by all have to make with his paymasters? When he’s…

Fascinating, sexy, improbably compelling and scathingly funny: The Big Short reviewed

23 January 2016 9:00 am

The Big Short is a drama about the American financial collapse of 2008. It talks you through sub-prime mortgages, tranches,…

We’re entering a new era for dance - expect big ballets with big stories

16 January 2016 9:00 am

Dance has its own archaeological periods, and 2016’s schedules are confirming what 2015 indicated — that the era of dances…

Why did a Russian ballet dancer throw acid in his boss’s face?

12 December 2015 9:00 am

The 16th June 1961 and 17th January 2013 are two indelible dates in the annals of Russian ballet. Two events…

Is Twitter now in charge of the Royal Ballet’s artistic programming?

5 December 2015 9:00 am

For all the billing and cooing on public forums about the Royal Ballet’s The Two Pigeons revival, there’s a silent…

Rambert Dance: one piercing masterpiece - and one dud

21 November 2015 9:00 am

Mark Baldwin, artistic director of Rambert Dance, must take responsibility for most of the good times I’ve had recently, midwife…

Carlos Acosta’s incoherent Carmen is a disaster

7 November 2015 9:00 am

The love that asks no questions, the love that pays the price… The amount of unconditional love sloshing about at…

This Juliet needs a new Romeo

29 October 2015 9:00 am

You always remember your first time, don’t you? And in ballet one imagines that Juliet wants to remember her first…

Giselle has floored many a ballerina — it did so again last week

17 October 2015 8:00 am

English has all sorts of emotive metaphors for how we feel about the ground. We’re floored. Or well grounded. Or…

War, socialist tyranny and the oppression of the handicapped - welcome to the new dance season

19 September 2015 8:00 am

If there’s one thing scarcer than hen’s teeth in serious choreography nowadays, it’s a light heart. When was the last…

Dance from Edinburgh: a flamenco master who could tell classical ballet a thing or two

29 August 2015 9:00 am

Every August when London dims, Edinburgh calls, promising nothing less than ‘the greats of the arts’ at the International Festival.…

Sylvie Guillem’s better than ever in her final, final Coliseum farewell

15 August 2015 9:00 am

The blackness that sweeps along the stage behind Sylvie Guillem’s disappearing figure in the Russell Maliphant piece on her farewell…

You can feel as if you’re in a colony of rabbits: Matthew Bourne’s Car Man reviewed

1 August 2015 9:00 am

Hot, languorous, sizzling… I was thinking what an ideal show Matthew Bourne’s noir comedy is to watch on a summer’s…

The Sun King deserves better than this silly cabaret from Birmingham Royal Ballet

4 July 2015 9:00 am

It’s a comfort that the creation of a new ballet inspired by French court entertainment can still happen in the…

Sylvie Guillem, in savage-child tunic and a Mowgli wig, says farewell to her fans

Is that Sylvie Guillem? Or R2-D2? Guillem's farewell dance at Sadler’s Wells reviewed

6 June 2015 9:00 am

There’s been a clutch of middle-aged danseuses taking leave of life in one way or another recently. We’ve seen the…

Rapture - and loathing: Woolf Works at the Royal Ballet reviewed

23 May 2015 9:00 am

People have been saying that Wayne McGregor’s new Woolf Works has reinvented the three-act ballet, but not so. William Forsythe…

Titanic: Orson Welles as Falstaff in ‘Chimes at Midnight’ (1966)

Don’t believe Orson Welles, says his biographer Simon Callow — especially when he calls himself a failure

9 May 2015 9:00 am

Orson Welles would have been 100 this month. When he died in 1985, aged 70, the wonder was that he…

Rosie Kay’s 5 Soldiers: brutishly physical and powerfully striking

9 May 2015 9:00 am

In dance, it’s usually the moment the boys start fighting that challenges your suspension of disbelief. Synchronised fencing (MacMillan’s Romeo…

Vadim Muntagirov and Laura Morera in ‘La Fille mal gardée’

La Fille mal gardee at the Royal Opera House reviewed: light, lithe and tender

25 April 2015 9:00 am

The current talking-point at the Royal Ballet is the Russians milling around. One can sound unfortunately as if one’s starting…

An Indian Bayadère that meets a sludgy end

11 April 2015 9:00 am

For an Indian woman to make a dancework about La Bayadère is a promising prospect. This classical ballet of 1877…

50 shades of beige: English National Ballet's Modern Masters at Sadler's Wells, reviewed

21 March 2015 9:00 am

My moment of the week was stumbling into the shocking, fantastical Cabinet of Curiosities in the Alexander McQueen show at…

Wings of desire: film still of Natalia Makarova and Anthony Dowell in ‘Swan Lake’, 1980

Will the real Swan Lake please stand up

21 February 2015 9:00 am

Ismene Brown unpicks the great enigma of ballet theatre

London International Mime Festival review: on juggling, dance and Wayne Rooney's hair transplant

31 January 2015 9:00 am

January is something of a palate-cleanser for the year, as the London International Mime Festival flies in plane-loads of companies…