BFI
The dazzling classic The Red Shoes has several unfashionable lessons for us today
Seventy-five years after its release, Powell and Pressburger’s dazzling, much-loved classic is more timely than ever, says Robin Ashenden
The Venus de Marlene
Tanjil Rashid on the legend of Dietrich
Riveting – and disgusting: BFI's 'Dogs v Cats' and 'Eating In' collections reviewed
This week I’d like to point you in the direction of the British Film Institute and its free online archive…
Feminism has succeeded – so why don’t we call it quits?
You would think that the British Film Institute’s sponsorship of a month-long festival celebrating some of the most memorable female…
Ninety years old and still feels as fresh as a daisy: G.W. Pabst’s Pandora’s Box reviewed
Two films this week, one that has stood the test of time, dazzlingly — it still feels as fresh as…
Don’t believe the sales figures – DVDs are thriving
According to the accountants’ ledgers, DVDs are dying. Sales of those shiny discs, along with their shinier sibling the Blu-ray,…
Art of darkness
Stephen King, 69, has sold more than 350 million books, and tries not to apologise for being working-class, or imaginative,…
A devastating critique of the Indian justice system: Court reviewed
The big hitter this week is, of course, Batman v Superman, but if you want to learn something new, and…
John Waters interview: ‘We can’t make fun of Bruce Jenner?’
No one does transgression like the filmmaker John Waters. Jasper Rees talks to him about political correctness, post-ops and pubes
How Ridley Scott’s sci-fi classic, Blade Runner, foresaw the way we live today
How Ridley Scott’s Blade Runner, made 33 years ago, foresaw the way we live today, by William Cook
What unites Churchill, Dali and T.S. Eliot? They all worshipped the Marx Brothers
Ian Thomson celebrates the anarchic genius of Groucho and his brothers
Without sci-fi, there would be no cinema
Without sci-fi, there would be no cinema, writes Peter Hoskin
