Breaking Bad
Why you should never watch sci-fi series on streaming channels
Jason Dessen, the hero (and, as you’ll discover shortly, anti-hero) of Apple TV’s latest sci-fi caper Dark Matter, is a…
How The Sopranos changed TV for ever
Peter Biskind describes how a once despised medium became the definitive narrative art form of the early 21st century. But has it now passed its peak?
Intelligence-insulting schlock: Sky Atlantic's Your Honor reviewed
I’m really not enjoying Your Honor, the latest vehicle for Bryan Cranston to play a good man driven to the…
Norway’s noir
Valkyrien (C4, Sunday) is the hot new Scandi-noir series, which is being billed as Norway’s answer to Breaking Bad. In…
Better Call Saul review: the box set equivalent of a (very) well-made play
I lost count long ago of the number of dinner parties and pub conversations where I’ve had to utter the…
How consumer habits are subject to the law of unintended consequences
Some time in the 1960s, a group of people in an advertising agency (among them Llewelyn Thomas, son of Dylan)…
The rights and wrongs of box-set viewing
Admit it. Say it! ‘My name is Blah and I am a boxaholic.’ Life on hold, marriage in bits, job…
Can you trade love for wealth? The economics of Breaking Bad
The acclaimed television series Breaking Bad has ended. Steffen Huck on what it can teach us about economics
Breaking Bad is so harrowing that for a while James Delingpole couldn’t watch it
One of Boy’s more annoying teenage rules of thumb is that, if Dad likes it, it must be crap. This…
Wreaking, by James Scudamore - review
An abandoned lunatic asylum, a nasty pornographer in a wheelchair, a bizarre glass-ceilinged viewing dome beneath a scummy lake, a…
