Bridge Theatre
A show for politicians: John Gabriel Borkman, at the Bridge Theatre, reviewed
Clunk, clunk, clunk. John Gabriel Borkman opens with the obsessive footfalls of a disgraced banker as he prowls the attic…
Hytner hits the bull's eye: The Southbury Child, at the Bridge Theatre, reviewed
The Southbury Child is a comedy drama set in east Devon featuring a distressed vicar, Fr David, with a complex…
A play for bureaucrats: David Hare's Straight Line Crazy reviewed
It’s good of Nicholas Hytner to let Londoners see David Hare’s new play before it travels to Broadway where it…
The psychopath who wrecked New York
Robert Gore-Langton on the man who wrecked New York
Actors will be in trouble if the Bridge Theatre's latest experiment catches on
Flight has been hailed as a new form of dramatic presentation — prefab theatre. It’s great to look at. A…
Covid marshals are killing theatre: The Shrine & Bed Among the Lentils reviewed
Covid marshals have invaded theatreland. Arriving for a weekday matinee at the Bridge, I was greeted by stewards holding up…
Chaotic, if good-natured, muddle: Hytner’s Midsummer Night’s Dream reviewed
Nicholas Hytner’s A Midsummer Night’s Dream opens in a world of puritanical austerity. The cast wear sombre black costumes and…
Privatisation is the best option for the South Bank Centre
I must have written about this subject 100 times in 30 years and I’m still having to restate the bloody…
Flimsy and pretentious sketches: Caryl Churchill’s Glass. Kill. Bluebeard. Imp. reviewed
Caryl Churchill is back at the Royal Court with a weird collection of sketches. The first is set on a…
One of the most astonishing things I’ve ever seen in the theatre: A German Life reviewed
It starts at a secretarial college. The stage is occupied by a dignified elderly lady who recalls her pleasure at…
Mean-spirited, muddled, idiotic and puerile: Martin McDonagh’s A Very Very Very Dark Matter reviewed
In the year since it opened, the Bridge has given us the following: a harmless Karl Marx comedy by Richard…
One of Alan Bennett’s finest efforts: Allelujah! reviewed
Alan Bennett’s new play, Allelujah!, is an NHS drama set in a friendly hospital in rural Yorkshire. Colin, an ambitious…
Large chunks felt lifted from The Archers: Nightfall reviewed
The Bridge’s big summer show is Nightfall by prize-winning newcomer Barney Norris. Widowed Jenny wants her grown-up kids, Lou and…
Meghan Markle ticks almost every modern box. Let’s not pretend she’s a tough sell
We are congratulating ourselves and the royal family on overcoming prejudice by welcoming Meghan Markle’s engagement to Prince Harry. But…
Why has the Bridge Theatre opened with this lightweight new play? Young Marx reviewed
Bang! A brand new theatre has opened on the South Bank managed by the two Nicks, Hytner and Starr, who…
