Carmen
Choreographers! Enough with the reworkings of Carmen and Frankenstein!
Carmen and Frankenstein are without a doubt two of the most over-worked tropes in our culture, the myths of the…
Leave Bizet’s Carmen alone
I’ve always felt uncomfortably ambivalent about the work of Matthew Bourne. Of course, there is no disputing its infectious exuberance…
We'll be talking about Royal Opera's Jenufa two decades from now
Leos Janacek cared about words. He’d hang about central Brno, notebook in hand, eavesdropping on conversations and trying to capture…
Are we going to have to start taking Calixto Bieito seriously? ENO’s Carmen reviewed
Calixto Bieito’s Carmen: three words to make an opera critic’s heart leap. Until quite recently, Bieito was the operatic provocateur…
Do Jews think differently?
Sixteen years into a stop-go production saga, I got a call from the director of The Song of Names with…
More Grace Kelly than Grace Jones: Welsh National Opera’s Carmen reviewed
How do you take your Carmen? Sun-drenched exotic fantasy with a side order of castanets, or cool and gritty, sour…
![Gaelle Arquez as Carmen in Barrie Kosky's production at the Royal Opera. [Photo: ROH / Bill Cooper]](https://www.spectator.com.au/wp-content/uploads/2018/12/Opera.jpg?w=410&h=275&crop=1)
Kosky’s Carmen is still the smartest show in town – and the most fun
It’s December, and while musical theatre is busy celebrating ‘warm woollen mittens’, opera, as usual, is far more interested in…
A colossal bore: Royal Opera’s Carmen reviewed
The new production of Bizet’s Carmen at the Royal Opera has received mixed reviews. It shouldn’t have done. They should…
Carlos Acosta’s incoherent Carmen is a disaster
The love that asks no questions, the love that pays the price… The amount of unconditional love sloshing about at…
You can feel as if you’re in a colony of rabbits: Matthew Bourne’s Car Man reviewed
Hot, languorous, sizzling… I was thinking what an ideal show Matthew Bourne’s noir comedy is to watch on a summer’s…
Was Glyndebourne right to revive Donizetti’s Poliuto? No, says Michael Tanner
It’s been a busy operatic week, with a nearly great concert performance of Parsifal in Birmingham on Sunday (reviewed by…
Wagner at the Proms
It would be interesting to know why Tristan und Isolde was placed in the Proms programme in between Siegfried and…
