CBSO
Across Britain punters are lapping up ultra-trad opera – the Arts Council will be disgusted
Another week at the opera, another evening with an elitist and ethically dubious art form. I love it; you love…
Grey, grey and more grey: Aida, at the Royal Opera House, reviewed
Grey. More grey. So very, very grey. That’s the main visual impression left by Robert Carsen’s new production of Verdi’s…
A bleeding, inch-thick hunk of verismo sirloin: Royal Opera's Cav and Pag reviewed
One legacy of lockdown in the classical music world has been the sheer length of the 21-22 season. In a…
The genius of Iannis Xenakis
This year is the centenary of the birth of Iannis Xenakis, the Greek composer-architect who called himself an ancient Greek…
Not pleasant, and not in tune, but unarguably compelling: Royal Opera's Nabucco reviewed
Nabucco, said Giuseppe Verdi, ‘was born under a lucky star’. It was both his last throw of the dice and…
A lockdown masterpiece and the Jessica Rabbit of concertos: contemporary classical roundup
So it finally happened: I experienced my first vocal setting of the word ‘Covid’. An encounter that was, inevitably, more…
Hit every auditory G-spot simultaneously: CBSO/Hough/Gardner concert reviewed
Rejoice: live music is back. Or at least, live music with a live audience, which, as Sir Simon Rattle admitted,…
Will Britain’s orchestras survive the Brexit exodus?
Will Britain’s orchestras survive the Brexit exodus?
British opera companies and orchestras must start investing in native talent
Brexit and Covid have pushed us out of the common musical market and thrown us back on homegrown sprouts. Good, says Norman Lebrecht
Refined and dreamy: CBSO centenary concerts reviewed
For an orchestra to lose one anniversary concert may be regarded as unfortunate. To lose two? Welcome to 2020. The…
As a symphonist, Mieczyslaw Weinberg was a master: Weinberg Weekend reviewed
It’s a strange compliment to pay a composer — that the most profound impression their music makes is of an…
How Debussy slipped past Wagner into the unknown
A spectre haunted the first weekend of the City of Birmingham Symphony Orchestra’s Debussy Festival: the spectre of Richard Wagner.…
Debussy, Tippett and Wagner: the musical treats of 2018
Claude Debussy died on 25 March 1918 to the sound of explosions. Four days earlier, the Kaiser’s army had deployed…
Half-brilliant, half-bewildering: Peter Pan at Welsh National Opera reviewed
In Beryl Bainbridge’s novel An Awfully Big Adventure the producer Meredith Potter issues a doughty injunction on the subject of…
