Christopher Hogwood
Vivid, noble and bouyant: AAM’s Messiah reviewed
More than a thousand musicians took part when Handel’s Messiah was performed in Westminster Abbey in May 1791. It wasn’t…
Meet the man who says improvisation is the key to Mozart
In August 1993, the pianist Robert Levin sat down in Walthamstow Assembly Rooms with the conductor Christopher Hogwood and the…
Why are symphony orchestras expected to survive indefinitely?
Watching the Berlin Philharmonic going into conclave to choose a successor to Simon Rattle — after countless hours of secret…