Classical music
Speed limit
Slow radio is popping up everywhere at the moment — programmes that have no outward form but just meander through…
Make mine a double
If two concert pianists are performing a work written for two grand pianos, there are two ways you can position…
Vice and virtue
‘Can the ultimate betrayal ever be forgiven?’ screams the publicity for The Judas Passion, transforming a Biblical drama into a…
Beauty and the beast
I was going to start with a little moan. About the shouty marketing, the digital diarrhoea, the sycophantic drivel, which,…
Director’s cut
Much fuss has been made of the title given to Sir Simon Rattle on arrival at the London Symphony Orchestra.…
The sound of no hands clapping
‘We’re going to live for ever!’ declares Robert Powell as Gustav Mahler at the end of Ken Russell’s 1974 biopic.…
Ave, Maria
Anyone who thinks that an artist’s life is irrelevant to their artistic achievement, and for that matter anyone who thinks…
Bowled over by Bruckner
The two Proms concerts given on consecutive evenings by the Royal Concertgebouw Orchestra were well planned: a short opening work,…
‘Smile, segue and shut up’
Three weeks before Classic FM launched, I was on the radio in Hong Kong, introducing hits by Rick Astley and…
Mistaken identity
This year’s Lucerne Festival is given its identity by having as its theme ‘Identity’. Since the word doesn’t mean anything,…
Time to end authenticity
They say the first step towards recovery is admitting that you have a problem. So I’m staging an intervention and…
Losing our religion
Sir James MacMillan’s European Requiem, performed at the Proms on Sunday, isn’t about Brexit. The composer had to make this…
Beethoven: Missa solemnis
When you first encounter it, Beethoven’s Missa solemnis can sound like the Ninth Symphony with more singing but no tunes.…
The joy of the Proms
Summer nights, hot and humid, mean just one thing — it’s Proms season again. Sore feet, sweaty armpits, queuing outside…
Hadyn recreated
‘Rarely, rarely, comest thou, Spirit of Delight!’ wrote Elgar, quoting Shelley, at the top of his Second Symphony. He should…
Gustav Mahler
When I began listening to music seriously, in about 1950, I had read about Mahler but wasn’t able to hear…
Not a repertory piece but in its dignity it earns respect: Royal Opera’s Oedipe reviewed
For years I have been telling people that they should listen to, in the absence of staged performances, Enescu’s opera…
Verdi’s works are more entertainment than art
Verdi has a peculiar if not unique place in the pantheon of great composers. If you love classical music at…
Our neglect of this great working-class British composer is a disgrace
One of the greatest choral symphonies of the 20th century, entitled Das Siegeslied (Psalm of Victory), has been heard only…
When opera singers can’t sing
Were Florence Foster Jenkins and her fellow culprits touchingly heroic, cynically fraudulent or just plain bonkers? Rupert Christiansen reports
Peter Phillips bids farewell to his music column after 33 years
This, my 479th, is to be my last contribution as a regular columnist to The Spectator. I have written here…
If you want to know how music really works listen to Classic FM not Radio 3
He’s been billed as the new Pied Piper but it’s going to take a while for Tom Service to quite…
Shattering - despite the lack of staging: Czech Phil’s Jenufa reviewed
Janacek’s Jenufa, his first great opera, had a one-night stand at the Royal Festival Hall last Monday, courtesy of the…
The Heckler: those behind the Proms this year have the imagination of a dead fish
BBC Proms 2016 is about as exciting as my sock drawer. But it’s unclear who exactly is to blame. The…
Why has classical music been so gender-biased for so long?
Hurrah for Radio 3 and its (long-overdue) efforts to give us music not just performed by women but composed, and…
