Comedy
Gag order: China’s stand-up comedy crackdown
The crackdown on China’s stand-up comics
I’ve finally been offended by a joke
I went to the O2 on Sunday night to see the comedians Dave Chappelle and Chris Rock. Chappelle, who survived…
A four-way race between poet, actor, video artist and sound engineer: Edinburgh Festival's Burn reviewed
In a new hour-long monologue, Burn, Alan Cumming examines the life and work of Robert Burns. The biographical material is…
Who are these pathologically liberal rozzers? Channel 4's Night Coppers reviewed
Grizzled police officers of the old school should probably avoid Channel 4’s Night Coppers for reasons of blood pressure. Like…
Ricky Gervais is an achingly conventional Millennial posing as a naughty maverick
Just how edgy and dangerous is Ricky Gervais? There is no one more edgy and dangerous, we learn from no…
Ricky Gervais is guilty of blasphemy
I have long thought that if Life of Brian came out today, it wouldn’t be Christians kicking up a fuss…
Boldly and brilliantly unoriginal: Kermode and Mayo’s Take reviewed
Last April Fools’ Day, Mark Kermode and Simon Mayo wound up their award-winning film review show on BBC Radio 5…
The chief characteristic so far has been nervousness: Chivalry reviewed
Chivalry – written by and starring Sarah Solemani and Steve Coogan – is a comedy drama about post-#MeToo Hollywood life.…
Mismatched from the start: One Day I Shall Astonish the World, by Nina Stibbe, reviewed
First the bad news: Nina Stibbe’s new novel does not feature Lizzie Vogel, the engaging narrator of the trilogy that…
Fun, good-natured and schmaltzy: Phantom of the Open reviewed
Phantom of the Open is a comedy-drama telling a true story that would have to be true as no one…
Perfection: The Duke reviewed
The Duke is an old-fashioned British comedy caper that is plainly lovely and a joy. Based on a true story,…
May put you off Chaplin for ever: The Real Charlie Chaplin reviewed
Charlie Chaplin is one of the most famous movie stars ever and is certainly the most famous movie star with…
All a bit Blackadder: Hamlet, at the Sam Wanamaker Playhouse, reviewed
Never Not Once has a cold and forbidding title but it starts as an amusing tale set in an LA…
Sick jokes: why medics need gallows humour
Medics need black humour
The medical equivalent of The Responder: BBC1's This is Going to Hurt reviewed
According to the makers, This is Going to Hurt is intended as ‘a love letter to the national health service’.…
In defence of bad jokes
I was once at a terrific Shabbat dinner where late in the evening one of the other guests suddenly said:…
At last, a literary sexy novel: Love Marriage, by Monica Ali, reviewed
At last, and finally: literary sex is back. The Bad Sex Prize has a lot to answer for in British…
A cut above TV's usual #MeToo fare: BBC1's Rules of the Game reviewed
As you may have noticed, it’s something of a golden age for TV shows about how invisible middle-aged women are…
It's too late to save comedy from 'cancel culture'
Will comedy become the latest victim of ‘cancel culture’? Dame Maureen Lipman fears as much. ‘Cancel culture, this cancelling, this…
Radio 4's Moominland Midwinter restores Moomintroll's innocence
Moomins do not like winter. In one of Tove Jansson’s stories, Moomin’s Winter Follies, young Moomintroll bumps his head when…
Guilt-free hilarity: Vanya and Sonia and Masha and Spike at Charing Cross Theatre reviewed
World-class sex bomb Janie Dee stars in a fabulously silly revival of the American comedy Vanya and Sonia and Masha…
The unseen Victoria Wood
For a few years now I have been living with Victoria Wood. That sounds all wrong, obviously, and yet no…
An affectionate exercise in comic sabotage: Pride & Prejudice* (*sort of) reviewed
Let’s be honest. Jane Austen is popular because War and Peace doesn’t fit inside a handbag. Austen’s best-loved novel, Pride…
This is how G&S should be staged: ENO's HMS Pinafore reviewed
Until 1881, HMS Pinafore was the second-longest-running show in West End history. Within a year of its première it had…
My advice to Dave Chappelle
I’m accustomed to a sense of urgency in relation to Netflix offerings because the streaming service often buys short-term rights…
