Comedy
This is how G&S should be staged: ENO's HMS Pinafore reviewed
Until 1881, HMS Pinafore was the second-longest-running show in West End history. Within a year of its première it had…
My advice to Dave Chappelle
I’m accustomed to a sense of urgency in relation to Netflix offerings because the streaming service often buys short-term rights…
A highly polished exercise in treading water: Season 3 of Succession reviewed
At one point in an early Simpsons, Homer comes across an old issue of TV Guide, and finds the listing…
Jennifer Saunders is brilliant: Blithe Spirit at the Harold Pinter Theatre reviewed
Blithe Spirit is a comedy with the plot of a horror story. Charles, a middle-aged novelist, lives happily with his…
Somewhere between eye-opening and jaw-dropping: Sky's Hawking – Can You Hear Me? reviewed
It is, of course, not unknown for a man to become famous with the support of his family — and,…
The political power of Roy ‘Chubby’ Brown
There is a rather sweet moment in the middle of each Roy ‘Chubby’ Brown show where, after some magnificently obscene…
How we killed comedy theatre: Nigel Planer interviewed
Lloyd Evans talks to Nigel Planer about the death of comedy theatre — and how he’s trying to revive it
Sinatra, Bacon and a YouTube star: Edinburgh Fringe Festival round-up
Sinatra: Raw (Pleasance, until 15 August) takes us inside the mind of the 20th century’s greatest crooner. The performer, Richard…
Why do I find sketch shows – even the better ones – so embarrassing and charmless?
On sketch shows, the wisdom once was that you needed a punchline. That is, a slightly hammy, summative sign-off to…
Quietly devastating: Nowhere Special reviewed
Not one, but two British films this week, one that’s only being screened at the cinema (if you’re brave enough)…
What a comic treat: The Game of Love and Chance at the Arcola reviewed
Lady Sylvia is a gorgeous aristocrat whose hand is sought by the charming Dorante whom she has never met. To…
The rise of the super pessimist
Covid isn’t the only thing to have developed a dangerous strain in the UK; pessimism has also mutated and is…
Actors will be in trouble if the Bridge Theatre's latest experiment catches on
Flight has been hailed as a new form of dramatic presentation — prefab theatre. It’s great to look at. A…
A romcom with very little com: BBC1’s Black Narcissus reviewed
In Black Narcissus, based on the novel by Rumer Godden, five nuns set off for a remote Himalayan palace in…
Deserves to be a permanent winter fixture: Potted Panto at the Garrick reviewed
Potted Panto is a 70-minute parody presented by two burlesque comedians. Jeff is a tall, playful bungler and his colleague,…
Buttercup the cow was so convincing I felt quite moved: Jack and the Beanstalk reviewed
This pantomime was filmed by ‘legendary Blue Peter presenter’ Peter Duncan in his back garden over the summer. It was…
How the green-ink brigade is destroying the arts
I’m often asked why Channel 4 recently banned an episode of my show The IT Crowd because of ‘transphobia’. I…
The Trump presidency’s funniest moments
Is it too early to wax nostalgic about the hilarity of the Trump years? Could Trump somehow — somehow —…
Who's laughing now? Cancel culture is killing comedy
The BBC and Channel 4 are self-censoring their comedy output because they are so terrified of offending people. So says…
Has Spitting Image ever been funny?
Thank you, Spitting Image, for the nostalgia trip! Your new series on BritBox has rekindled with almost Proustian fidelity those…
Enough plotlines to power several seasons of The West Wing: BBC1's Roadkill reviewed
Like many a political thriller before it, BBC1’s Roadkill began with a politician emerging into the daylight to face a…
Funny, tender and properly horrible: Channel 4’s Adult Material reviewed
A woman is eating a pie in her car as it gets an automatic wash. Careful to keep the pie…