Comedy
What’s the point of Philomena Cunk?
Because I’m a miserable old reactionary determined to see a sinister Guardianista plot in every BBC programme I watch, I…
Maxine Peake is blistering in Funny Cow
Two films about women this week. One, Funny Cow, is about a woman who daringly takes on men at their…
Portentous, po-faced but also highly imaginative: The City & The City reviewed
BBC2 has a new drama series for Friday nights. The main character is a world-weary middle-aged police inspector with an…
The BBC admit they’re not ready to switch off analogue radio
As Bob Shennan, the BBC’s director of radio and music admitted this week, there are almost two million podcast-only listeners…
Intriguing but also baffling: The Assassination of Gianni Versace reviewed
By common consent, including Bafta’s, The People v. O.J. Simpson: American Crime Story was one of the best TV dramas…
What’s it like being the only right-wing comic?
Geoff Norcott is lean, talkative, lightly bearded and intense. Britain’s first ‘openly Conservative’ comedian has benefited enormously from the Brexit…
Sun readers will be disappointed – E.M. Phwoar-ster it is not: Howards End reviewed
Any readers of the Sun who excitedly tuned in to Howards End on Sunday night with their pause button at…
I never understood the appeal of Ken Dodd
It’s always odd to hear a familiar voice on a different programme, playing an alternative role. They never sound quite…
The left-wing bias on Celebrity Gogglebox was excruciating
This week I want to put the boot in to Gogglebox (Channel 4, Fridays). Not the mostly likeable, everyday version,…
No pain, no gain
The best episodes of Curb Your Enthusiasm are the ones that make you want to hide behind the sofa, cover…
Bloody minded
Tristan Bernays loves Hollywood blockbusters. His new play, Boudica, is an attempt to put the blood-and-guts vibe of the action…
Loose ends
On Sunday night, Holliday Grainger was on two terrestrial channels at the same time playing a possibly smitten sidekick of…
Second thoughts
I had planned to review David Mitchell and Robert Webb’s new Channel 4 sitcom Back without constantly referring to their…
The many sides of satire
Brexit the Musical is a peppy satire written by Chris Bryant (not the MP, he’s a lawyer). Musically the show…
London calling
What is the Edinburgh Fringe? It’s a sabbatical, a pit stop, a pause-and-check-the-map opportunity for actors who don’t quite know…
Show up and show off
The Edinburgh Festival was founded as a response to war. The inaugural event, held in 1947, was the brainchild of…
Russell Crowe knows how to wear a pair of inverted commas: The Nice Guys reviewed
Regular filmgoers must be losing count of the Rabelaisian revelries they’ve been invited to of late. You may recognise the…
Isn’t it puke-inducing being lectured about poverty by millionaire comics?
Going Forward (BBC4, Thursdays) is a BBC comedy about the continuing adventures of Kim Wilde, the fat, cynical but lovable…
James Delingpole is loving Ben Elton's new Shakespeare sitcom
There’s no way of saying this without shredding the last vestiges of my critical credibility, but this new Ben Elton…
A senile Putin becomes a parody of his own parody
The decrepitude of old age is a piteous sight and subject. In his second book Michael Honig — a doctor-turned-novelist…
David Quantick’s The Mule: lost in the world of translation
For those who read the weekly music press during the 1980s, David Quantick’s was a name you could rely on.…
When Groucho Marx lectured T.S. Eliot
Groucho Marx was delighted when he heard that the script for one of his old Vaudeville routines was being reprinted…