country music
The joy of Chris Stapleton
Chris Stapleton is a barrel-chested man of 46, who hides his face beneath a beard that must have taken years…
Too bombastic to be country music: Post Malone’s F-1 Trillion reviewed
Grade: B Country music has become the acceptable route through which American pop stars resuscitate their floundering careers: sales are…
The weird, hypnotic world of Willie Nelson
Many years ago, I wrote a book about Willie Nelson. At its conclusion, I reached for an elegiac, valedictory tone.…
The unstoppable rise of country music
When a major artist releases a new album, the first thing to follow is the onslaught of think pieces. And…
Brilliantly unhinged: Grace Jones, at Hampton Court Palace, reviewed
Some artists need flash bombs to make an impression on stage. Some need giant screens. Some need to run around…
In defence of country-pop
Sam Kriss on why country-pop is the most modern music there is
Dolly Parton represents all that’s best about America
Dolly Parton is the living embodiment of America’s best values, says Philip Hensher
Livestream-hopping is just as irritating as being at a real festival
The ghost of Samuel Beckett oversaw the Hip Hop Loves NY livestream last Thursday night. Time and time again its…
Imagine ZZ Top stuck in a lift with Gary Numan: Sturgill Simpson’s Sound & Fury reviewed
Grade: A– The outlaw country genre has shifted a little over the decades since Waylon and Willie, with each proponent…
It made me want to go to sleep and never wake up: Vampire Weekend’s Father of the Bride
Grade: B– One of the things not to like about Vampire Weekend, other than their cloying preppiness, Ezra Koenig’s ingratiating…