Crystal Pite
I’m done with Hofesh Shechter
I think I’m through with Hofesh Shechter, and that’s a pity, because earlier work of his such as Political Mother…
One long moan of woe: Crystal Pite's Light of Passage, at the Royal Opera, reviewed
I was moved and shaken by Crystal Pite’s Flight Pattern when I first saw it in 2017. In richly visualised…
Crystal Pite tore the house down: Royal Opera's 21st-Century Choreographers reviewed
The choreographers called on to get the nation’s dancers back on to the stage have as much to say about…
Another triumph for Crystal Pite and Jonathon Young at Sadler’s Wells
It must have been hard for Crystal Pite and Jonathan Young to live up to the success of 2016’s devastating…
Sidi Larbi Cherkaoui’s #MeToo Medusa is a bad hair day from Hades
Medusa is the bad hair day from Hades. Sidi Larbi Cherkaoui’s retelling of the Greek myth is frizzy, tangled and…
We’re entering a new era for dance - expect big ballets with big stories
Dance has its own archaeological periods, and 2016’s schedules are confirming what 2015 indicated — that the era of dances…
The Associates at Sadler's Wells reviewed: another acutely inventive work from Crystal Pite
The prodigious streetdancer Tommy Franzén pops up everywhere from family-friendly hip-hop shows by ZooNation, Boy Blue and Bounce to serious…
Thomas Ades’s Polaris at Sadler’s Wells: the dance premiere of the year
This has been an extraordinarily exciting fortnight, on and off stage. Premieres in anything from ice-skating to classical ballet, charismatic…
