Design
At Japan House humanity has arrived at the perfect future: food for ogling, not eating
There is a popular Japanese television show that features a segment called ‘Candy Or Not Candy?’. Contestants are presented with…
Immersive and spectacular: Piet Oudolf’s new borders at RHS Wisley reviewed
Piet Oudolf’s long borders at Wisley were worn out. The famous designer had in fact become a bit embarrassed by…
The craft renaissance
As long ago as the 1960s, the poet Edward James was worried that traditional crafts were dying out. Having frittered…
How flabby our ideas of draughtsmanship have become
The term drawing is a broad umbrella, so in an exhibition of 120 works it helps to outline some distinctions.…
The art of menus
Jonathan Meades on the art of menus
The art of the Christmas card
It’s the thin end of the wedge, the slippery slope, the beginning of the end of a civilised Christmas. It…
Absurd and amusing, solemn and scholarly: Charles Jencks's Cosmic House reviewed
An editor once told me: always look at the loos. It was remarkable, she said, how many grand cultural projets,…
Meet the woman who designed Britain's revolutionary road signs
Laura Gascoigne meets Margaret Calvert, the designer who dragged British signposting into the modern era
The rise of blocked-off design
Plexiglass bubbles hover over diners’ heads in restaurants. Plastic pods, spaced six feet apart, separate weightlifters in gyms. Partitions of…
The art of street furniture
On his lockdown rambles, Christopher Howse finds beauty and solace in London’s street furniture
The weird and wonderful world of hotel carpets
Sophie Haigney on the weird and wonderful world of hotel carpets
The history, power and beauty of infographics
on the history, power and beauty of infographics
Enchanting – but don’t fall for the mummified rubber duck in the gift shop: Tutankhamun reviewed
Like Elton John, though less ravaged, Tutankhamun’s treasures are on their final world tour. Soon these 150 artefacts will return…
Meet Congo, the Leonardo of chimps, whose paintings sell for £14,500
Three million years ago one of our ancestors, Australopithecus africanus, picked up a pebble and took it home to its…
A museum-quality car-boot sale: V&A’s Cars reviewed
We were looking at a 1956 Fiat Multipla, a charming ergonomic marvel that predicted today’s popular MPVs. Rather grandly, I…
Geoff Dyer on the poetry of motels
It’s to be expected. You take photographs in order to document things — Paris in the case of Eugène Atget…
Toy theatres on the stage: the set designs of Maurice Sendak
I must have seen hundreds of opera productions in my time. Out of these, hardly any made a lasting impression…
How plastic saved the elephant and tortoise
Plastics — even venerable, historically eloquent plastics — hardly draw the eye. As this show’s insightful accompanying publication (a snip…
My ringside seat on the Mary Quant revolution
I think I probably qualify as the oldest fashion editor in the world, because in spite of my advanced age…
Not as good as his immoral brother Eric but still wonderful: Max Gill at Ditchling reviewed
MacDonald ‘Max’ Gill (1884–1947) is less well known than his notorious brother, Eric. But was he less of a designer,…
![Twiggy photographed by Justin de Villeneuve in the Rainbow Room at Big Biba, early 1970s. [JUSTIN DE VILLENEUVE]](https://www.spectator.com.au/wp-content/uploads/2018/11/USE_JDV_TW046.jpg?w=410&h=275&crop=1)
A short history of art deco – from high art to two-tone shoes, garden gates to Twiggy
On 10 September 1973 the 1930s Kensington High Street department store formerly known as Derry & Toms reopened as Big…
A historical whodunnit that lets you into a forgotten world: The Paston Treasure reviewed
In 1675 Lady Bedingfield wrote to Robert Paston, first Earl of Yarmouth. Never, she exclaimed, had she seen anything so…
Alexander Calder was a volcano of invention
In the Moderna Museet in Stockholm there is a sculpture by Katharina Fritsch, which references Chekhov’s famous story ‘Lady with…
Edward Bawden is deservedly one of Britain’s most popular 20th century artists
‘When I’m on good form,’ Edward Bawden told me, ‘I get to some point in the design and I laugh…
