Drawing

How silverpoint revolutionised art

12 September 2015 9:00 am

Marshall McLuhan got it at least half right. The medium may not always be the entire message, but it certainly…

‘Wrestlers’, 1914, by Henri Gaudier-Brzeska

Henri Gaudier-Brzeska at Kettle’s Yard reviewed: he’s got rhythm

2 May 2015 9:00 am

One evening before the first world war, Henri Gaudier-Brzeska, fired by drink, tried out such then-fashionable dances as the cakewalk…

Left: ‘Dream of a good witch’, c.1819–23, by Goya Right: ‘Bajan niñendo (They descend quarrelling)’, c.1819–23, by Goya

Flying witches, mad old men, cannibals: what was going on in Goya’s head?

14 March 2015 9:00 am

It is not impossible to create good art that makes a political point, just highly unusual. Goya’s ‘Third of May’…

‘The Life Room’, 1977–80, by John Wonnacott

The death of the life class

6 December 2014 9:00 am

‘Love of the human form’, writes the painter John Lessore, ‘must be the origin of that peculiar concept, the Life…

David Hockney at work in his studio, c.1967

David Hockney interview: ‘The avant-garde have lost their authority’

22 November 2014 9:00 am

David Hockney talks to Martin Gayford about 60 years of ignoring art fashion

‘Before the Mirror’, 1913, by Egon Schiele

Egon Schiele at the Courtauld: a one-note samba of spindly limbs, nipples and pudenda

8 November 2014 9:00 am

One day, as a student — or so the story goes — Egon Schiele called on Gustav Klimt, a celebrated…

Andrew Marr's notebook: Rescued by Jonathan Ross

14 December 2013 9:00 am

We live by simple stories. X has a stroke. X recovers; or doesn’t. But we live inside more complicated stories.…