Edward Watson
Richly layered and intricate: Royal Ballet's The Dante Project reviewed
Where does the artist end and their work begin? Like 2015’s Woolf Works, Wayne McGregor’s new ballet swirls creator and…
Why Mayerling is a #MeToo minefield
Kenneth MacMillan’s Mayerling is a #MeToo minefield. Crown Prince Rudolf of Austria-Hungary is a serial seducer, a man of many…
Reducing the lead to an demented rape victim is just what ballet needs: The Wind reviewed
A kindly cowboy, an East Coast bride, adultery, murder and madness. The Wind, Dorothy Scarborough’s 1925 Texas gothic novel (and…
Ninja Turtles have no place in Cinderella
What could induce a grown-up, rational, childless person to go to see the ballet of Cinderella? You’ll expect to cringe…
Modern dance vs Shakespeare
In a dance world that has chosen to dispense with stylistic and semantic subtleties, ‘narrative ballet’ and ‘story ballet’ are…
