Elektra
Michael Tanner: Why I prefer Donizetti to Strauss
Three operas this week, each of them named after its (anti-)heroine: one of the heroines (the most sympathetic) murders her…
WNO's production of Schoenberg's Moses und Aron is an overwhelming experience – but make sure you close your eyes
On paper, Moses und Aron might seem intractable and abstract: a 12-tone score setting a libretto that meditates on God,…
Leipzig and Dresden are both staging Elektra. Which city wins?
Yet more performances of Elektra, Richard Strauss’s setting of Hugo von Hofmannsthal’s ramped-up, neurosis-riddled 1903 reworking of Sophocles, are unlikely…
A sensational week for opera: sensationally good and sensationally bad
It’s been a sensational week for opera in London, with a sensationally good performance of Strauss’s Elektra at the Royal…
