Emma Rice
Like eating 58 luxury chocolates: The Flying Lovers of Vitebsk reviewed
The Flying Lovers of Vitebskbegins with a phone conversation between a pretentious art critic and a man called Marc. This…
More misogynistic than the original: ENO’s Orpheus in the Underworld reviewed
It’s Act Three of Emma Rice’s new production of Offenbach’s Orpheus in the Underworld, and Eurydice (Mary Bevan) is trapped…
The Spectator’s notes
Sir David Norgrove, the chairman of the UK Statistics Authority (UKSA), is an honourable man. When he publicly rebuked Boris…
What an extraordinary debut for Emma Rice: Globe's Midsummer Night's Dream reviewed
The Globe’s new chatelaine, Emma Rice, has certainly shaken the old place up. It’s almost unrecognisable. Huge white plastic orbs…
Charles Moore’s Notes: Corbyn’s shambolic reshuffle should not distract us from the fact that he is gaining control of Labour
No amount of reports in the press that Jeremy Corbyn’s shadow cabinet-making is farcical and his party is divided should…
