Exhibitions

‘Les Modes se suivent et ne se ressemblent pas’, 1926, cover design for Harper’s Bazaar

The time is right for an Erté revival – a new hero for our gender-anxious times

18 November 2017 9:00 am

Erté was destined for the imperial navy. Failing that, the army. His father and uncle had been navy men. There…

Cover illustration for the magazine Garm 1944, by Tove Jansson

A chance to see the Moomins’ creator for the genius she really was: Tove Janssons reviewed

18 November 2017 9:00 am

Tove Jansson, according to her niece’s husband, was a squirt in size and could rarely be persuaded to eat, preferring…

Stitches in time: detail of ‘Embroidery Design’ by May Morris, worked by May Morris and Theodosia Middlemore, c.1900

Is May Morris a feminist cause – a woman of genius unfairly overlooked?

11 November 2017 9:00 am

You may think you don’t know May Morris, daughter of William, but you’ll probably have come across her wallpaper. Her…

‘Regent’s Park Zoo’, 1930, by Arnrid Banniza Johnston

The forgotten history of the Tube’s ‘poster girls’

4 November 2017 9:00 am

Every weekday, I travel by Tube to The Spectator’s office, staring at the posters plastered all over the walls. I…

‘Soviet Union Art Exhibition’, Zurich 1931, by Valentina Kulagina

The art of persuasion

28 October 2017 9:00 am

It’s hard to admire communist art with an entirely clear conscience. The centenary of the October revolution, which falls this…

The old ways

28 October 2017 9:00 am

I’m sitting across a café table from a young man with a sheaf of drawings that have an archive look…

London calling

28 October 2017 9:00 am

Madame Monet was bored. Wouldn’t you have been? Exiled to London in the bad, cold winter of 1870–71. In rented…

‘The First Days of Spring’, 1929, by Salvador Dalí

It’s the thought that counts

21 October 2017 9:00 am

During a panel discussion in 1949, Frank Lloyd Wright made an undiplomatic comment about Marcel Duchamp’s celebrated picture of 1912,…

Raw materials

14 October 2017 9:00 am

‘Art by its very essence is of the new… There is only one healthy diet for artistic creation: permanent revolution.’…

‘Pastry Cook of Cagnes’, 1922, by Chaïm Soutine

Cabbages and kings

14 October 2017 9:00 am

The first pastry cook Chaïm Soutine painted came out like a collapsed soufflé. The sitter for ‘The Pastry Cook’ (c.1919)…

I spy

30 September 2017 9:00 am

Where was Degas standing as he sketched his ‘Laundresses’ (c.1882–4)? Did he watch the two women from behind sheets hanging…

War horse: horse headdress made of felt, leather and wood, late 4th–early 3rd century BC

The icemen cometh

23 September 2017 9:00 am

You wouldn’t want to stumble upon the Scythians. Armed with battle-axes, bows and daggers, and covered in fearsome tattoos, the…

‘The Angel of Mercy’, c.1746, by Joseph Highmore

Mothers’ ruin

23 September 2017 9:00 am

At the heart of Basic Instincts, the new exhibition at the Foundling Museum in London, is an extraordinarily powerful painting…

‘Untitled (Clear Torso)’, 1993, by Rachel Whiteread

Space odyssey

16 September 2017 9:00 am

Rachel Whiteread is an indefatigable explorer of internal space. By turning humble items such as hot-water bottles and sinks inside…

Moving pictures: ‘Achaean’, 1981, by Bridget Riley

Snap, crackle and op

2 September 2017 9:00 am

Stand in front of ‘Fall’, a painting by Bridget Riley from 1963, and the world begins to quiver and dissolve.…

‘Mum On The Couch’, 2017, by Gary Hume

What lies beneath

26 August 2017 9:00 am

Last year, Gary Hume made a painting of himself paddling. At a casual glance, or even a longer look, it…

Matisse’s ‘Still Life with Shell’ (1940) with his beloved chocolate pot, top left

Object lesson

5 August 2017 9:00 am

Why did Henri Matisse not play chess? It’s a question, perhaps, that few have ever pondered. Yet the great artist…

A picture of pure energy: Watts’s ‘The Sower of Systems’, 1902

Maximum wattage

29 July 2017 9:00 am

On his deathbed in 1904, George Frederic Watts saw a extraordinary spectacle. He witnessed the universe coming into being: the…

Plywood at its most curvaceous, acceptable and collectible: Alvar Aalto armchair, 1930 (left), and moulded plywood chair by Grete Jalk, 1963

Grain of truth

8 July 2017 9:00 am

We routinely feel emotional about materials — often subliminally. Which is why new substances and techniques for manufacturing have provoked…

‘Statue (Double Check by Seward Johnson), New York, 11 September 2001’, 2001, by Jeff Mermelstein

Repo women

6 July 2017 1:00 pm

Aren’t you getting a little sick of the white cube? I am. I realised how sick last week after blundering…

Buried treasure: an archaeologist diver brushes clear a bovid jaw discovered in Aboukir Bay

The treasures of Alexandria revealed: British Museum’s Sunken cities reviewed

4 June 2016 9:00 am

It was not so unusual for someone to turn into a god in Egypt. It happened to the Emperor Hadrian’s…

The lifts are lovely: Tate Modern’s extension reviewed

28 May 2016 9:00 am

Tate Modern, badly overcrowded, has built itself a £260 million extension to spread everyone about the place more. This means…

‘Oh god, ma tutto occupato’ (Ach herrje, ma tutto occupato), 2016, by Georg Baselitz

As he approaches 80, the German master Georg Baselitz contemplates the end

21 May 2016 9:00 am

‘In many ways,’ Georg Baselitz muses, ‘I behaved against the grain of the times I grew up in.’ The era…

Satirical diptych, 1520–1530, anonymous Flemish artist

This Parisian exhibition has rewritten the story of art

14 May 2016 9:00 am

Why do we put one work of art beside another? For the most part museums and galleries tend to stick…

‘Cassava with White Peacock Butterfly and young Golden Tegu’, 1702–3, by Maria Merian

The 17th century painter who hacked her way through Suriname in search of insects

7 May 2016 9:00 am

Maria Sibylla Merian was a game old bird of entrepreneurial bent, with an overwhelming obsession with insects. Born in Frankfurt…