Exhibitions
Entertaining – but there's one abomination: National Gallery's Sin reviewed
Obviously, we’re living through an era of censorious puritanism. Granted, the contemporary creeds are different from those of the 16th…
A high-end car-boot sale of the unconscious: Colnaghi’s Dreamsongs reviewed
In 1772 the 15-year-old Mozart wrote a one-act opera set, like The Magic Flute, in a dream world. Il sogno…
Skyscraper squats and a lesson from India: the future of British architecture
Squatting, gutting and retrofitting – and a lesson from India: Stuart Jeffries looks at the future of British architecture
Spectacular and mind-expanding: Tantra at the British Museum reviewed
A great temple of the goddess Tara can be found at Tarapith in West Bengal. But her true abode, in…
The mediums who pioneered abstract art
The mediumistic art of various cranks, crackpots and old dowagers is finally being taken seriously – and about time too, says Laura Gascoigne
As immersive art goes, nothing can compete with Berghain
In Geoff Dyer’s Jeff in Venice, the protagonist, at the Venice Biennale, muses on installations. ‘Ideally, the perfect art installation…
The beautiful upside-down world of Georg Baselitz
The hand is one of the first images to appear in art. There are handprints on the walls of caves…
Imagine being married to Stanley Spencer
It sometimes rains in Cookham. It rained all day when I visited the Stanley Spencer Gallery to see the exhibition…
The death of the Southbank Centre
The roots of the Southbank Centre’s current crisis stretch back to before the pandemic, says Oliver Basciano
We're wrong to think the impressionists were chocolate boxy
One Sunday evening in the autumn of 1888 Vincent van Gogh and Paul Gauguin went for a walk. They headed…
Looking at Barnett Freedman makes me weep at the government's dismal graphics
Among the spoils of a lockdown clear-out was a box of my grandmother’s books: Woolf, Austen, Mitford and The Complete…
Figurative painting is back – but how good is any of it?
An oxymoron is a clever gambit in an exhibition title. The Whitechapel Gallery’s Radical Figures: Painting in the New Millennium…
The guileful, soulful art of Khadija Saye
Gwyneth Paltrow has a new neighbour. On the same block in Notting Hill as Gwynie’s Goop store, with its This…
Culture is going underground: meet the rebel army
Leaf Arbuthnot and Igor Toronyi-Lalic on the new cultural rebels
I didn’t expect to be so moved – galleries reopen
I’m in Mayfair and I’m boarding an airplane. Or rather, I’m boarding an approximation of an airplane. In the centre…
Sumptuous and saucy: Compton Verney's virtual tour of their Cranach show
‘Naughty little nudes,’ my history of art teacher used to say of Cranach’s Eves and Venuses. Aren’t they just? Coquettish…
William Boyd on the miraculous snaps of boy genius Jacques Henri Lartigue
William Boyd on the miraculous snaps of boy genius Jacques Henri Lartigue
The life of Artemisia Gentileschi is made for Netflix, but it’s the art that really excites
The life of Artemisia Gentileschi is made for Netflix, says Laura Freeman, but it’s her art that really excites
Welder, banjo player, comedian, actor, and now artist – Billy Connolly interviewed
William Cook talks to Billy Connolly – welder, banjo player, comedian, actor, and now artist – about growing up in Glasgow, ditching the mike stand and living with Parkinson’s
Are there ways in which virtual exhibitions are better than real ones?
Six months ago I published a book about travelling to look at works of art. One such journey involved a…
The grisly art of Revolutionary France
There was a basket of thick red wool and two pairs of large knitting needles at the start of University…
Mother nature is finally getting the art she deserves
Exhibitions about fungi, bugs and trees illustrate the depth, range and vitality of a growing field of art, says Mark Cocker
Every bit as well observed as Rembrandt – and often funnier: Nicolaes Maes reviewed
Nicolaes Maes (1634–93) relished the simple moments of daily life during the Dutch Golden Age. A woman peeling parsnips over…
The gloriously indecent life and art of Aubrey Beardsley
In seven short years, Aubrey Beardsley mastered the art of outrage. Laura Gascoigne on the gloriously indecent illustrations of a singular genius
