Felicity Palmer
Never quite pivots from thesis to drama: Royal Opera’s Queen of Spades reviewed
We increasingly accept the collision between life and art. Whether we’re puzzling over the real identity of Elena Ferrante, choosing…
ENO’s Queen of Spades: I wanted to grab David Alden’s production by the neck and shake out its silly clutter
The opera director David Alden has never been one to tread the straight and narrow. Something kinky would emerge, I’m…
