Film
Wildly entertaining Pope-off: The Two Popes reviewed
The Two Popes stars Anthony Hopkins and Jonathan Pryce — that’s two reasons to buy a ticket, right there —…
Detailed and devastating: Marriage Story reviewed
Noah Baumbach’s Marriage Story is a drama about the breakdown of a marriage and it is, at times, devastatingly painful.…
Scorsese at his most leisurely, meandering and engrossing: The Irishman reviewed
The Irishman is Martin Scorsese’s three-and-a-half-hour epic — a mobster-a-thon, you could say — starring Robert De Niro, Al Pacino,…
Scooby Doo with better CGI: Doctor Sleep reviewed
Wheeeere’s Johnny? Nearly 40 years ago Jack Nicholson went berserk in a snowbound Rockies hotel, smashing an axe through a…
The best Terminator film since the first: Terminator Six reviewed
The first Terminator film, which came out in 1984, was a high-concept sci-fi serial killer thriller. You can just imagine…
![Angourie Rice, who stars in Bruce Beresford’s 2018 film Ladies in Black [Photo by Pascal Le Segretain/Getty Images]](https://www.spectator.com.au/wp-content/uploads/2019/10/26Octhighlife.jpg?w=410&h=275&crop=1)
The most uplifting film ever made
New York Should art mirror the world as it is, or does an artist fail the public if the…
The Disney sequel that no one wanted is finally here – what a relief! Maleficent: Mistress of Evil reviewed
Maleficent: Mistress of Evil is the sequel to the 2014 film Maleficent, and it will certainly come as a relief…
Only fitfully funny: Chris Morris’s The Day Shall Come reviewed
The Day Shall Come is a second feature from British satirist Chris Morris and like the first, Four Lions, it…
If you ever want to sleep again, step away from Joker
Judy is in cinemas this week and so is Joker and if you have to choose between the two, then…
Do Jews think differently?
Sixteen years into a stop-go production saga, I got a call from the director of The Song of Names with…
You may not wish to kiss the ground when you finally leave the cinema, but I did: The Goldfinch reviewed
The Goldfinch is an adaptation of the Pulitzer Prize-winning novel by Donna Tartt that centres on a great work of…
The untold story of Judy Garland
Judy Garland is now a myth, a paradigm and a warning: don’t let your daughter on the stage! It’s the…
Painful, funny — and with a brilliant twist: The Farewell reviewed
The Farewell is a quiet film that builds and builds and builds into a wonderful exploration of belonging, loss, family…
Extremely predictable and extremely dull: Downton Abbey reviewed
The much-anticipated film version of Downton Abbey has arrived and I suppose you could describe it as the Avengers Assemble…
Is this film saying relationships between teachers and kids are OK? Scarborough reviewed
Scarborough is a small British film but it will give you a very big headache. Its subject is teachers who…
Why did Mrs Lowry hate her son’s paintings?
‘I often wonder what artists are for nowadays, what with photography and a thousand and one processes by which you…
Why are so many operas by women adaptations of films by men?
Opera’s line of corpses — bloodied, battered, dumped in a bag — is a long one. Now it can add…
Sensational: The Souvenir reviewed
Joanna Hogg’s films are the antithesis of popcorn entertainment so if it’s not the antithesis of popcorn entertainment that you…
Why a whole new generation of young Europeans are turning to old-school reggae
Acamera sweeps across the verdant, shimmering beauty of Jamaica before descending on to a raffishly charming wooden house built into…
DiCaprio and Pitt are transfixing: Tarantino’s Once Upon a Time in Hollywood reviewed
Quentin Tarantino’s latest film, Once Upon a Time in Hollywood, is a sprawling tale set in Hollywood in 1969, against…
Sweet but formulaic: Blinded by Light reviewed
Once upon a time two men sat in a New York bar lamenting the state of Broadway. So they decided…
So sloooooooow: Photograph reviewed
Ritesh Batra had a smash hit with his gentle romance The Lunchbox (2013) and then made a couple of less…
Uncomfortable and distasteful: Marianne & Leonard reviewed
Marianne & Leonard: Words of Love is Nick Broomfield’s documentary chronicling the muse-artist relationship between Marianne Ihlen and Leonard Cohen.…
Completely and utterly and entirely blown away: the Lion King reviewed
The Lion King is Disney’s photorealistic CGI remake of the beloved, hand-drawn 1994 original that, for many children, offered a…
‘It could be a disaster’: Jim Broadbent talks to Stuart Jeffries about his latest role
‘I live completely anonymously,’ whispers Jim Broadbent down the phone from Lincolnshire. Nonsense, I counter. You’re one of the most…
