Film
What a relief we can finally admit Jimmy Porter was a pain in the neck
Gary Raymond must have been wondering if it was the end of a promising career — curtains. He was starring…
A slog – and why does Elizabeth look like Ronald McDonald? Mary Queen of Scots reviewed
Mary Queen of Scots is a historical costume drama that, unlike The Favourite, does not breathe new life into the…
The best tribute possible to the greatest comics ever: Stan & Ollie reviewed
You mess with Laurel and Hardy at your peril. Their fan base is essentially the entire world. Samuel Beckett adored…
Dick Clement on Porridge, Kirk Douglas and having seven projects on the go
Given their track record, you might think that Dick Clement and Ian La Frenais would be spared the struggles that…
![Nothing much happens, yet there is so much to watch: Alfonso Cuaron’s Roma. [Photograph: Carlos Somonte/Netflix]](https://www.spectator.com.au/wp-content/uploads/2018/12/8Decfilm.jpg?w=410&h=275&crop=1)
Nothing much happens, yet there’s so much to watch: Roma reviewed
Roma is the latest film from Alfonso Cuaron (Gravity,Y Tu Mama Tambien, Harry Potter and the Prisoner of Azkaban) and…
New York: the fact – and fiction
New York At times I used to think the place was real. The New York of films, that is. The…
A major missed opportunity: Disobedience reviewed
Disobedience is an adaptation of Naomi Alderman’s novel about forbidden, lesbian love in orthodox Jewish north London, starring Rachel Weisz…
Forget Robin Hood and Girl in the Spider’s Web – Shoplifters is the film to see this week
The major releases this week are Robin Hood, as a big Hollywood retelling, and The Girl in the Spider’s Web,…
What does the commonplace cruelty of Red Dead Redemption say about our times?
Every era has its western. For 30 years, from The Big Trail through to The Searchers, John Wayne reigned supreme…
A mess: Fantastic Beasts reviewed
Fantastic Beasts: The Crimes of Grindelwald is the sequel to the Harry Potter prequel Fantastic Beasts and Where to Find…
Exquisite and riveting: Wildlife reviewed
Wildlife is an adaptation of the 1990 novel by Richard Ford about a family coming apart at the seams, and…
There’s nothing radical about Mike Leigh’s films
So there I was in Soho Square on a cold and rainy morning, nibbling my complimentary almond croissant and eagerly…
Bring back Kevin Spacey
The sixth and final season of House of Cards has begun without Kevin Spacey, who played the murderous Democratic American…
It’s like being trapped in an episode of Poldark: Peterloo reviewed
Mike Leigh’s Peterloo is one of those films where you keep waiting for it to get good, and waiting and…
‘Darmstadt taught me how to compose’: Ennio Morricone interviewed
Ennio Morricone’s staff wish it to be known that he does not write soundtracks. ‘Maestro Morricone writes “Film Music” NOT…
A succession of predigested clichés: Bohemian Rhapsody reviewed
There is a moment in Bohemian Rhapsody when the screen swims with print. The reviews for Queen’s epic new single…
Bleak, unflinching, oppressive, violent – and magical: Dogman reviewed
Matteo Garrone’s Dogman, which is Italy’s entry for the foreign language Oscar next year, is bleak, unflinching, oppressive, masculine (very),…
‘I should just shut up’: Dominic West on #MeToo and the perils of talking politics
Lounging confidently on the sofa of a Soho hotel suite, Dominic West has been beaming at me, but now his…
What was Neil Armstrong like? A complete bore if First Man is anything to go by
Damien Chazelle’s First Man is a biographical drama that follows Neil Armstrong in the decade leading up to the Apollo…
Lady Gaga is a revelation: A Star is Born reviewed
This version of A Star Is Born, starring Bradley Cooper and Lady Gaga, is the fourth iteration (Janet Gaynor and…
Angela Carter was a master of radio drama
The writer Angela Carter (born in 1940) grew up listening to the wireless, her love of stories, magic and the…
Glenn Close rescues this clumsy new adaptation: The Wife reviewed
The Wife is an adaptation of the Meg Wolitzer novel (2003) and stars Glenn Close. Her performance is better than…
The invisible woman of French cinema: Faces Places reviewed
Faces Places is a documentary directed by Agnès Varda in collaboration with JR, the famous Parisian photographer and muralist (although,…
Just an average romcom – or am I being too old-trouty?: Crazy Rich Asians reviewed
The cast and producer of Crazy Rich Asians were present at the screening I attended and said a few words…
Oh dear: Yardie reviewed
Yardie is Idris Elba’s first film as a director and what I have to say isn’t what I wanted to…
