Film
Shamelessly derivative and, worse, asks us to root for asshats: Swimming with Men reviewed
Swimming with Men is a British drama-comedy starring Rob Brydon as a disaffected middle-aged accountant who joins his local male…
Leave No Trace is inaction-packed – yet it pulls you in and keeps you pulled in
Debra Granik, the writer-director who made quite a splash with Winter’s Bone (which launched the career of Jennifer Lawrence in…
Women can now make dull formulaic franchise films too! Hurrah! Ocean’s 8 reviewed
Ocean’s 8 is the all-female spin-off of the all-male Ocean’s trilogy and it’s a sop, with a third act that…
Cynical, one-dimensional and oddly colourless: Jurassic World – Fallen Kingdom reviewed
Back in the mists of prehistory, when I was eight, dinosaur films followed a set pattern. The dinosaurs themselves would…
Ninety years old and still feels as fresh as a daisy: G.W. Pabst’s Pandora’s Box reviewed
Two films this week, one that has stood the test of time, dazzlingly — it still feels as fresh as…
I desperately wanted to love Edie but I couldn’t
Edie tells the story of an 84-year-old woman who wants to fulfil a girlhood ambition by climbing a Scottish mountain.…
Whoever signed off on the ending deserves a good thrashing: On Chesil Beach reviewed
On Chesil Beach is an adaptation of the Ian McEwen novella set in 1962 when ‘conversation about sexual difficulties was…
Grief-conjurors, space-mincers and earth-shovellers: performance roundup
They enter two by two. Grannies, mainly. Headscarved, mainly. Some locking arms. A bit glum. Like rejects from Noah’s ark.…
Convoluted, woeful mishmash with no central story: How to Talk to Girls at Parties reviewed
How to Talk to Girls at Parties is set in the 1970s and has punk as the backdrop and an…
Lean on Pete is a beauty
Andrew Haigh makes inaction films. Weekend (2011) tells of two young homosexuals getting to know each other in Nottingham. In…
Not like any serial-killer thriller you’ve seen before: Beast reviewed
When I first read that Beast is a serial-killer thriller my heart sank like a stone — yet more women…
Maxine Peake is blistering in Funny Cow
Two films about women this week. One, Funny Cow, is about a woman who daringly takes on men at their…
My knuckles went pure white and have yet to return to full colour: Custody reviewed
Custody is both social realism and a thriller and it’s terrific. It is smart, beautifully acted, never crass about the…
Plenty to wonder at – like who thought it was a good idea to make it: Wonderstruck reviewed
Wonderstruck is a film by Todd Haynes and you will certainly be struck by wonder, often. You will wonder at…
It was good but I preferred slurping my genitals: Deborah’s dog reviews Isle of Dogs
The latest film from Wes Anderson is a doggy animation set in a fantasy Japan and as there was a…
Unsensitive, Unhumane and Uncredible: Unsane reviewed
Steven Soderbergh’s latest film, Unsane, is a psychological thriller about a woman who is incarcerated in a psychiatric hospital even…
Intelligent, poetic and profound: Tacita Dean at the National and National Portrait galleries
Andy Warhol would probably have been surprised to learn that his 1964 film ‘Empire’ had given rise to an entire…
The subtly savage world of filmmaker Ruben Ostlund
There is a culty YouTube video shot three years ago on the laptop camera of Ruben Ostlund. It shows the…
I, Tonya is not quite a gold-medal masterpiece
Films about the Winter Olympics don’t grow on conifers. Twenty-five years ago there was Cool Runnings about the Jamaican bobsleigh…
The dangers of taking a blind friend to see Fifty Shades of Grey
Audio description, or AD, as it is fondly called, is coming of age. Once consigned to the utility room of…
Heavy-going and heavy-handed: Dark River reviewed
Dark River is the much-anticipated third feature from British writer/director Clio Barnard and it is one of those bleak, rural-…
I liked Shape of Water well enough but Lady Bird is where it’s at
Lady Bird is a semi-autobiographical film written and directed by Greta Gerwig with a plot synopsis that need not detain…
Wonderfully fixating and wholly non-formulaic: Phantom Thread reviewed
Paul Thomas Anderson’s Phantom Thread is a lush psychosexual drama starring Daniel Day-Lewis as a pampered, tyrannical, pernickety 1950s couturier…
Downsizing throws away its brilliant premise
Downsizing is a film with the most brilliant premise. What if, to save the planet, we were all made tiny?…
You just can’t argue against Hanks and Streep: The Post reviewed
Steven Spielberg’s The Post, which dramatizes the Washington Post’s publication of the Pentagon Papers in 1971, doesn’t exactly push at…
