Film
Andrew Roberts’s guide to Churchill on screen
Gary Oldman has joined a long list of actors who have portrayed Winston Churchill — no fewer than 35 of…
Three Billboards is a hoot and a blast, which I never thought I’d say about a rape movie
Three Billboards Outside Ebbing, Missouri does, indeed, feature three billboards outside Ebbing, Missouri. They have been placed at the roadside…
Indulgent rather than stinging satire: Brad’s Status reviewed
Brad’s Status is a midlife crisis film starring Ben Stiller as a nearly 50-year-old man whose status anxiety is through…
Time to update our notions of disability and quit with the pity – and Tiny Tim
Here we go again. Partridges in pear trees. Lovely big Christmas turkey. The Queen’s speech. And then, at some point…
If this is Aaron Sorkin’s riposte to those who criticise his portrayal of women, God help us
Molly’s Game marks the directorial debut of Hollywood’s most celebrated screenwriter, Aaron Sorkin, and is based on his adaptation of…
From good witch to female Alan Bennett: the Queen on the big screen
If cinema is propaganda, Elizabeth II can be grateful to it. Film is a conservative art form, and almost nothing…
My favourite frum film of the year – thus far: Menashe reviewed
Menashe is a drama set amid Brooklyn’s ultra-orthodox Hasidic community. It is performed entirely in the Yiddish language. It is…
An exceptional new film about Jane Goodall unearths a remarkable love story
There are times when our national passion for cutting people down to size is a little tiring. I left Brett…
The heart is unstirred in Haneke’s morose critique of a fractured society: Happy End reviewed
The films of Michael Haneke wear a long face. Psychological terror, domestic horror, sick sex, genital self-harm — these are…
It will amply satisfy all your comeuppance needs: Battle of the Sexes reviewed
Battle of the Sexes recreates the famed, culture-changing 1973 tennis match between 55-year-old Bobby Riggs, a self-proclaimed chauvinist, and 29-year-old…
Sun readers will be disappointed – E.M. Phwoar-ster it is not: Howards End reviewed
Any readers of the Sun who excitedly tuned in to Howards End on Sunday night with their pause button at…
Does disability make a difference to art – or does art transcend disability?
The moment you invite friends to some new ‘cutting-edge’ disability theatre or film, most swallow paroxysms of social anxiety. What…
Rarely has the West End seen such a draining and nasty experience: The Exorcist reviewed
The Exorcist opened in 1973 accompanied by much hoo-ha in the press. Scenes of panic, nausea and fainting were recorded…
The Florida Project never sanctifies or demonises and is absorbing throughout
The Florida Project is a drama set in one of those cheap American motels occupied by poor people who would…
Don’t believe the sales figures – DVDs are thriving
According to the accountants’ ledgers, DVDs are dying. Sales of those shiny discs, along with their shinier sibling the Blu-ray,…
The death of cosy Christie
This is not Midsomer Murders. The new film adaptation of Agatha Christie’s Murder on the Orient Express is thick with…
Amazing Grace
In the first scene of this distinctly odd documentary, Grace Jones meets a group of fans, who squeal with delight…
The ties that bound us
Only Neil MacGregor could do it — take us in a single thread from a blackened copper coin, about the…
Gathering storm
Sally Potter’s The Party, which unfolds in real time during a politician’s soirée to celebrate her promotion, is just 71…
Back to the future
Ridley Scott’s original Blade Runner first came out in cinemas 35 years ago, which I was going to say probably…
Unhappy days
Scriptwriters love to feast on the lives of children’s authors. The themes tend not to vary: they may have brought…