Film
The forgotten liberator
Slavery was ended in England not through blood and glory, but by the common law
Why Ken Loach hasn’t made a decent film since Kes
He hasn’t made anything worth watching since Kes
Blue Ruin is unwatchable, bloody – but, from what I saw, rather good
Blue Ruin is a low-budget yet highly accomplished revenge thriller although whether you have the stomach for it is another…
Simon Callow’s notebook: What it’s like to lose at an awards ceremony
It was one of those weeks. On Monday, I was in four countries: I woke up at crack of dawn…
Harry Shearer on bringing out Richard Nixon’s feminine side
Simpsons star Harry Shearer on what it takes to play the president
The Butler, about a black domestic in the White House, is too painfully obvious
The Butler tells the story of an African–American butler at the White House who served eight American presidents over three…
'You can't handle the truth!' — the greatest courtroom dramas of all time
As a new production of Twelve Angry Men opens in the West End, Robert Gore-Langton names his favourite courtroom dramas
Ryan Gosling couldn’t play Taki better than Taki
Seduced and Abandoned is both a satire on film-making and a love letter to film-making and a joy. A documentary…
How I learned to start screaming and love the horror movie
Peter Hoskin looks forward to being scared witless courtesy of the BFI’s feast of Gothic cinema
Philomena is Dame Judi’s film
Philomena is based on the true story of an Irish woman searching for the son stolen from her by the…
Sandra Bullock must be blindfolded when she picks her movies
Sandra Bullock is a highly watchable actress and she seems like she’d be fun to hang out with — I…
The World is Ever Changing, by Nicolas Roeg - a review
‘Value and worth in any of the arts has always been about timing,’ writes British director Nicolas Roeg at the…
Nicolas Roeg interview: ‘I hate the term “sex scene”’
At 85, the film director Nicolas Roeg is pleased to see the critics catching up with him
