Film
Depardieu’s Maigret is the best yet: Maigret reviewed
Georges Simenon’s lugubrious detective Maigret has appeared in umpteen screen adaptations and dozens of actors have played him. Now it’s…
Colourful, tender and sweet, grounded in magical rather than social realism: Scrapper reviewed
Scrapper is a film about a working-class kid who, after her mother dies, has to look after herself. I know…
A brilliantly cruel Cosi and punkish Petrushka but the Brits disappoint: Festival d’Aix-en-Provence reviewed
Aix is an odd place. It should be charming, with its dishevelled squares, Busby Berkeley-esque fountains, pretty ochres and pinks.…
Dense and spectacular – and not pink: Oppenheimer reviewed
Oppenheimer is Christopher Nolan’s biopic of J. Robert Oppenheimer, the brilliant quantum physicist and ‘father of the atomic bomb’ who…
Will we even notice if AI replaces screenwriters?
Will we even notice if AI replaces screenwriters?
Should be called Ken: Barbie reviewed
Finally, the Barbie film is here, for which we must be thankful, as the tsunami of pre-publicity meant you probably…
Wikipedia does more justice to this fascinating story than this film: Chevalier reviewed
Chevalier is a biopic of Joseph Bologne, Chevalier de Saint-Georges, whom you’ve probably never heard of, as I hadn’t. He…
I may never recover: Sisu reviewed
When I went into the Sisu screening I knew only that it was a Finnish film, so was expecting an…
Warm, charming and tender: Are You There God? It’s Me, Margaret reviewed
Are You There God? It’s Me, Margaret is an adaptation of Judy Blume’s seminal young adult novel (1970) about an…
Deeply moving but bleak: Plan 75 reviewed
Plan 75 is a dystopian Japanese drama about a government-sponsored euthanasia programme introduced to address Japan’s ageing society. Aged 75…
Pure scorn without wit or insight: Triangle of Sadness reviewed
The latest film from Ruben Ostlund received an eight-minute standing ovation after its screening in Cannes and also won the…
Harry Styles's behind is the only draw: My Policeman reviewed
My Policemanis a forbidden love drama starring both Harry Styles – whose bid for movie stardom continues apace – and…
Ravishing, daring biopic of Emily Brontë: Emily reviewed
The life of Emily Brontë is an enduring object of fascination. So small, the life, so sparse, so limited. Yet…
Unforgettable story, forgettable film: The Lost King reviewed
The Lost King is a comedy-drama based on the 2012 discovery of the remains of King Richard III beneath a…
Pleasantly untaxing: Mrs Harris Goes to Paris reviewed
Mrs Harris Goes to Paris is a comedy-drama based on the 1958 novel by Paul Gallico about a cheerful, kind-hearted…
A David Bowie doc like no other: Moonage Daydream reviewed
Moonage Daydream is a music documentary like no other, which is fitting as the subject is David Bowie. If it’s…
Gore-fest meets snooze-fest: Crimes of the Future reviewed
You always have to brace yourself for the latest David Cronenberg film, but with Crimes of the Future it’s not…
In praise of character actors
If you want real acting in films, forget the leads – it’s in the supporting roles that you’ll find true talent, says Tanya Gold
Absolutely nuts: My Old School reviewed
My Old School is a documentary exploring a true story that would have to be true as it’s too preposterous…
If you’re going to make it up, please make it up better: Eiffel reviewed
Eiffel is a romantic drama purporting to show how a passionate but forbidden love inspired Gustave Eiffel to design and…
Fascinating but flat: Amazon Prime's Thirteen Lives reviewed
About ten minutes in to Thirteen Lives, Boy came in and asked me whether it was any good. I said:…
The making of The Godfather was almost as dramatic as the film: Paramount+'s The Offer reviewed
It’s hard to imagine in the wake of GoodFellas, The Sopranos and Gomorrah but there was a time, not so…
Spare us the preaching: The Railway Children Return reviewed
It doesn’t help the cause of The Railway Children Return that the original 1970 Railway Children film is currently on…
