Film
Contains nothing you couldn't get from Wikipedia or YouTube: Netflix's Pelé reviewed
Pelé is a two-hour documentary about the great Brazilian footballer — the greatest footballer ever, some would say — who…
Horrible – but in a very fun way: I Care a Lot reviewed
I Care a Lot is a deliciously dark comic thriller that You’ll Enjoy a Lot. It’s heartless. It’s vicious. It’s…
Our love affair with the Anglo-Saxons
Dan Hitchens on our love affair with the Anglo-Saxons
The two composers who defined British cinema also wrote inspired operas
It’s my new lockdown ritual. Switch on the telly, cue up the menu and scroll down to where the vintage…
Predictable, repetitive and exploitative: Run Hide Fight reviewed
In this line of business you receive many emails from PRs ‘reaching out’ about their particular film, which I really…
This is cinema as car ad, says Geoff Dyer: News of the World reviewed
It’s a premise with plenty of previous. Children whose parents were murdered by Indians on the frontier of the American…
The Icelandic version was better – and had better knits: Rams reviewed
Rams is an average film with a better film trying to get out, and you may already have seen that…
Remarkably moving: The Dig reviewed
Just before the outbreak of the second world war a discovery was made in a riverside field at Sutton Hoo…
Another cracking take on the opera film: Marquee TV’s Turn of the Screw reviewed
I’m still waiting for the Royal Opera to step up. Nearly a year into the Covid crisis and what do…
So good I watched it twice: Netflix's The White Tiger reviewed
The White Tiger is adapted from the Booker-prize winning novel (2008) by Aravind Adiga. It is directed by Ramin Bahrani…
The acting is very Scooby-Doo: Blithe Spirit reviewed
The comedy Blithe Spiritwas written by Noël Coward in 1941. It is, essentially, about a séance going wrong and a…
Most artistic careers end in failure. Why does no one talk about this?
Rosie Millard dispels the myth that persistence is always rewarded
Riveting: Dear Comrades! reviewed
Andrei Konchalovsky’s Dear Comrades! is based on a true event and set in 1962 in the Russian city of Novocherkassk…
How Korean cinema mastered the art of horror
The triumph of Korean cinema
Even I, a bitter and cynical middle-aged woman, felt stirred: Sylvie’s Love reviewed
Sylvie’s Love is an exquisitely styled, swooning, old-school, period Hollywood romance and while it has been described as ‘glib’ in…
Buttercup the cow was so convincing I felt quite moved: Jack and the Beanstalk reviewed
This pantomime was filmed by ‘legendary Blue Peter presenter’ Peter Duncan in his back garden over the summer. It was…
A hard watch, but ultimately a rewarding one: County Lines reviewed
County Lines is the kind of social realism that the British do so well, if not too well. In other…
It’ll blow you away: Collective reviewed
When I recommend this documentary to people, telling them it follows the journalistic investigation into a fire that broke out…
Like a never-ending episode of The Jerry Springer Show: Hillbilly Elegy reviewed
Hillbilly Elegy is an adaptation of the best-selling memoir, published in 2016, by J.D. Vance and it’s quite a story.…
The journalists who scripted the golden age of Hollywood
Tanya Gold on the journalists who scripted the golden age of Hollywood
A gripping portrait: Billie reviewed
This documentary about Billie Holiday is transfixing. Not just because it’s about Billie Holiday — I am not into jazz…
Every scene Sophia Loren isn’t in feels like a wasted one: The Life Ahead reviewed
The Life Ahead stars Sophia Loren, and if there is one reason to see The Life Ahead it is this:…
You won’t be able to look away: Shirley reviewed
This week, two electrifying performances in two excellent films rather than two mediocre performances in the one mediocre film —…
The magic of cinema isn’t just about film
Going to the movies was a religious experience