Film
You're not going to get a better spin on bromance – brobably: The Climb reviewed
The Climb is, essentially, a bickering bromance as two longtime pals bicker bromantically down the years, and it doesn’t sound…
Gripping high gothic psychological horror: Saint Maud reviewed
Saint Maud is a first feature from writer-director Rose Glass and it’s being billed as a horror film. But it’s…
Why great speeches are made for stage and screen
Curious thing, writer’s block. If you believe it exists. Terry Pratchett didn’t. ‘There’s no such thing,’ he said. ‘It was…
This is what cinema is for: Netflix’s Cuties reviewed
Cuties is the subject of a moral panic and a hashtag #CancelNetflix. It tells the story of Amy (Fathia Youssouf),…
Horrifyingly beautiful – but I will never watch it again: Painted Bird review
The Painted Bird opens with a young boy (Jewish) running through a forest and clutching his pet ferret. He is…
Half the fun of the animation – and much longer: Mulan reviewed
Mulan is Disney’s latest live-action remake, coming in at 120 minutes, compared with the 1998 animation, which ran to 80.…
A James Bond film with added physics no one understands: Tenet reviewed
Tenet is the latest high-concept, time-bending blockbuster from Christopher Nolan and it’s the film that (unofficially) reopens cinemas in the…
Why have they made Pinocchio look like Freddy Krueger?
Matteo Garrone’s live-action version of Pinocchio is visually sumptuous and there are some enchanting characters (my favourite: Snail). And unlike…
Heavy-handed satire and schmaltz: American Pickle reviewed
American Pickle is a comedy based on a short story by Simon Rich, originally published in the New Yorker, and…
Cancelling Kindergarten Cop is a step too far
Arnold Schwarzenegger’s late-Eighties to early-Nineties comedies have not gone down in history as great triumphs. Films like Junior and Twins…
An extraordinary debut: Make Up reviewed
Make Up is the first full-length film from writer–director Claire Oakley, set in an out-of-season holiday park on the Cornish…
Worth catching the virus for: Saint Frances reviewed
Two films about young women this week, one at the cinema, if you dare, and one to stream, if you…
Held me so fast I was outbid on eBay: Clemency reviewed
Clemency stars Alfre Woodard as a prison warden on death row whose job is beginning to take its toll, and…
Drive-in cinemas are back – but for how long?
Tanya Gold on the rise and fall of drive-in cinema
I want to support cinema but I have my work cut out with Love Sarah
Some cinemas have reopened, with the rest to follow by the end of the month, thankfully. But the big, hotly…
Dysfunctional music for dysfunctional people: The Public Image is Rotten reviewed
A star is born, but instead of emerging into the world beaming for the cameras, he spits and snarls and…
Fascinatingly weird – but not satisfyingly weird: Herzog’s Family Romance LLC reviewed
In the past Werner Herzog has given us a man pushing a ship up a mountain, a 16th-century conquistador going…
A true story that never feels true: Resistance reviewed
Resistance stars Jesse Eisenberg and tells the true story of how mime artist Marcel Marceau helped orphaned Jewish children to…
Messy but absolutely necessary: Da 5 Bloods reviewed
Spike Lee’s Da 5 Bloods is about four African-American vets who return to Vietnam to locate the body of their…
The art of the incel
The roots of incel subculture – and its magnificent memes – stretch back to Goethe’s Werther and beyond, says Nina Power
Why, Woody, why? A Rainy Day in New York reviewed
A Rainy Day in New York is Woody Allen’s 49th film and it’s not been without its troubles. When accusations…
Top of my must-watch mustn't-watch: Cats revisited
At the outset of lockdown I gave you my list of top mustn’t-watch films — that is, the ones that…
I have never cared more about the price of milk in Iceland: The County reviewed
You may be asking yourself: have I reached that point in lockdown where I’m watching Icelandic dramas about the price…
The best Macbeths to watch online
The world’s greatest playwright ought to be dynamite at the movies. But it’s notoriously hard to turn a profit from…