Finborough Theatre
Vapid and pretentious: Visit From An Unknown Woman, at Hampstead Theatre, reviewed
Visit From An Unknown Woman, adapted by Christopher Hampton from a short story by Stefan Zweig, opens like an episode…
Grotesquely plodding: Late Night Staring At High Res Pixels reviewed
The Finborough’s new show is a love story with the male partner absent. Two women, one Irish and one American,…
This fabulous play is like a Chekhov classic: The One Day in the Year reviewed
The One Day In the Year is an Australian drama about the annual commemoration of the Gallipoli campaign in 1915.…
Chaotic, if good-natured, muddle: Hytner’s Midsummer Night’s Dream reviewed
Nicholas Hytner’s A Midsummer Night’s Dream opens in a world of puritanical austerity. The cast wear sombre black costumes and…
Turning Alzheimer’s into theatre is like building a surfboard out of sawdust
Here are three truths about play-writing. A script without an interval will be structurally flawed. A vague, whimsical title means…
The Seagull needs a roof to stop Chekhov's subtleties flying off
A new Seagull lands in Regent’s Park. Director Matthew Dunster has lured Chekhov’s classic into a leafy corner of north…
An inept dud penetrates the Park Theatre’s dross-filters - and I blame Beckett
Jonah and Otto is a lost-soul melodrama that keeps its audience guessing. Where are we? The Channel coast somewhere. Indoors…
Can the Scots really be as small-minded, mistrustful and chippy as Spoiling suggests?
Referendum fever reaches Stratford East. Spoiling, by John McCann, takes us into the corridors of power in Holyrood shortly after…
The small rewards of small-scale opera
Neither OperaUpClose’s La traviata nor Finborough Theatre’s production of Boughton’s The Immortal Hour quite cut it
