Gainsborough

The eyes have it: ‘The Zebra’, 1763, by George Stubbs

What makes British art British?

27 April 2019 9:00 am

There’s no avoiding the Britishness of British art. It hits me every time I walk outside and see dappled trees…

‘The Artist with his Wife Margaret and Eldest Daughter Mary’, c.1748, by Thomas Gainsborough

It’s hard to think of finer images of children than Gainsborough’s

12 January 2019 9:00 am

When he knew that he was dying, Thomas Gainsborough selected an unfinished painting from some years before and set it…

Alan Beeton, ‘Reposing’, 1929

The secret world of the artist's mannequin

1 November 2014 9:00 am

A 19th-century London artists’ supplier named Charles Roberson offered imitation human beings for sale or rent, with papier-mâché heads, soft…

Who’s in, who’s out: George Bernard O’Neill’s ‘Public Opinion’ depicts a private view of the annual exhibition at the Royal Academy

The age of the starving artist

26 July 2014 9:00 am

Philip Hensher on the precarious fortunes of even the most gifted 19th-century artists