Globe
How politics killed theatre
Zoe Strimpel on how identity politics is killing theatre
Rhapsodic banalities: I, Joan, at the Globe, reviewed
‘Trans people are sacred. We are divine.’ The first line of I, Joan at the Globe establishes the tone of…
One of the finest productions I’ve seen at the Globe – a triumph of crony casting: Macbeth reviewed
Michelle Terry, chatelaine of the Globe, wants to put an end to penis-led Shakespeare by casting women in roles intended…
Has there ever been a better time to be a lover of Baroque opera?
Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…
Turn this play into a film and it’ll win Oscars – Hollywood can’t resist a posh Brit battling disability
God, what a title. The Gathered Leaves. It sounds like a tremulous weepie about grief and endurance with a closing…
Merchant of Venice at the Globe reviewed: a tip-top production - and a high quality script too
If Julian, Dick, George and Anne had become terrorists they’d have called themselves The Angry Brigade. It’s such a Wendy…
The sweating, dust-glazed saints at the Hampstead Theatre tells us nothing new about the miners’ strike
Hampstead’s new play about the 1984 miners’ strike was nearly defeated by technical glitches. Centre stage in Ed Hall’s production…
Private Lives at the Gielgud: Spot the sexual tension between Anna Chancellor and Toby Stephens
It’s always a problem with Macbeth: what accents to use? The Globe is applying the traditional remedy. Lord and Lady…
