Gorecki
One long moan of woe: Crystal Pite's Light of Passage, at the Royal Opera, reviewed
I was moved and shaken by Crystal Pite’s Flight Pattern when I first saw it in 2017. In richly visualised…
Predictably meh: Scottish Ballet’s new Swan Lake reviewed
Every ballet company wants a box-office earner. But why Scottish Ballet’s leader Christopher Hampson kept on at David Dawson until…
