Happy Days
No Samuel Beckett play is set in stone
It must have been shortly after my first performance of Not I in London in 2005 when Matthew Evans, the…
Patrick Marber’s Red Lion at the Dorfman reviewed: ‘the woman next to me yawned a lot’
For nine years Patrick Marber has grappled with writer’s block (which by some miracle doesn’t affect his screenplay work), but…
